The TempestArden Shakespeare, 1999 - 366 Seiten This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Seite 88
... common man that Wordsworth valued - here conveys Ariel's oneness with nature and imitates the straightforward beauty of Shakespeare's origi- nal songs . Partly because the magus created Ariel's music , the Romantics identified him with ...
... common man that Wordsworth valued - here conveys Ariel's oneness with nature and imitates the straightforward beauty of Shakespeare's origi- nal songs . Partly because the magus created Ariel's music , the Romantics identified him with ...
Seite 141
... common Italian name used here for a fictional character . As King of Naples Alonso controls a large area of the Italian peninsula south of the Papal States . During Shakespeare's lifetime , Spain controlled that part of Italy ...
... common Italian name used here for a fictional character . As King of Naples Alonso controls a large area of the Italian peninsula south of the Papal States . During Shakespeare's lifetime , Spain controlled that part of Italy ...
Seite 303
... common to them . As indeede , we have no other ayme of truth and reason , then the example and Idea of the opin- ions and customes of the countrie we live in . Where is ever perfect reli- gion , perfect policie , perfect and compleate ...
... common to them . As indeede , we have no other ayme of truth and reason , then the example and Idea of the opin- ions and customes of the countrie we live in . Where is ever perfect reli- gion , perfect policie , perfect and compleate ...
Inhalt
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Urheberrecht | |
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actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word