The TempestArden Shakespeare, 1999 - 366 Seiten This edition situates The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrates how the play both shaped and reflected those changing attitudes. Reflecting the concerns of a post-colonial international community, the edition emphasizes the play's worldwide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. |
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Seite 93
... stage productions . Leading actors selected the role for themselves and employed antic stage business to attract audiences to the deformed slave . The athletic Frank Benson played Caliban as an apish missing link by imitating monkeys ...
... stage productions . Leading actors selected the role for themselves and employed antic stage business to attract audiences to the deformed slave . The athletic Frank Benson played Caliban as an apish missing link by imitating monkeys ...
Seite 129
... stage directions , which are ' qualitatively dif- ferent from those of any other Shakespeare play ' and would be ' peculiarly ineffective in instructing the players ' ( Jowett , 107 ) . When , for example , the Folio calls for a banquet ...
... stage directions , which are ' qualitatively dif- ferent from those of any other Shakespeare play ' and would be ' peculiarly ineffective in instructing the players ' ( Jowett , 107 ) . When , for example , the Folio calls for a banquet ...
Seite 130
... stage directions with a literary flavour ( Howard - Hill , Crane , 24 ) , but it is not what we expect of Shakespeare in 1611 . In rewriting the stage directions for the reader rather than the actor , Crane may have adopted the style ...
... stage directions with a literary flavour ( Howard - Hill , Crane , 24 ) , but it is not what we expect of Shakespeare in 1611 . In rewriting the stage directions for the reader rather than the actor , Crane may have adopted the style ...
Inhalt
Sources | 287 |
Appropriations | 315 |
Abbreviations and references | 343 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
actor Aeneid African Alonso American Ard² audience Bermuda Boatswain brave Caliban Capell century Ceres characters cited colonial Crane daughter Dent doth drowned Dryden & Davenant Duke Duke of Milan early edition editors emended enchanted island English European eyes F lines father Ferdinand and Miranda fish Folg² Folger Shakespeare Library Folio Gonzalo Hanmer hath human i'th isle Jacobean Johnson & Steevens Jonathan Bate José Enrique Rodó Juno King London lord magician Mannoni masque master metaphor Milan Miranda modern monster Naples Neapolitans Nicholas Rowe nymphs o'th Orgel Ovid Oxf¹ performed perhaps play play's Pope Prospero proverbial reference role Rowe Rowe³ sb.¹ scene Sebastian and Antonio sense Setebos Shakespeare ship speech spirit stage directions Stephano Stephano and Trinculo storm strange suggests Sycorax Tempest thee Theobald thing thou tion Trinculo Tunis unto verb verse F Virginia Winter's Tale word