And looking on it with lack-lustre eye, Says very wisely, "It is ten o'clock: Enter ORLANDO, with his sword drawn. Orl. Forbear, and eat no more. Why, I have eat none yet. Thus may we see," quoth he, "how the world wags: 'Tis but an hour ago since it was nine, And after one hour more 't will be eleven; A worthy fool! Motley's the only wear. Jaq. O, worthy fool!-One that hath been a courtier, In mangled forms.-O, that I were a fool! To blow on whom I please; for so fools have: Jaq. Orl. Nor shalt not, till necessity be serv'd. Jaq. Of what kind should this cock come of? tress, Or else a rude despiser of good manners, That in civility thou seem'st so empty? Orl. You touch'd my vein at first: the thorny point Of bare distress hath ta'en from me the show Of smooth civility; yet am I inland bred, And know some nurture. But forbear, I I say: He dies, that touches any of this fruit, Till I and my affairs are answered. Jaq. An you will not be answered with reason, I must die. Duke S. What would you have? Your gentleness shall force, More than your force move us to gentleness. Orl. I almost die for food, and let me have it. Duke S. Sit down and feed, and welcome to our table. Orl. Speak you so gently? Pardon me, I pray you: Of stern commandment. But whate'er you are, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time, They most must laugh. And why, sir, must they so? If ever been where bells have knoll'd to church, But' to seem senseless of the bob; if not, The wise man's folly is anatomized, Even by the squandering glances of the fool. To speak my mind, and I will through and through Duke S. Fie on thee! I can tell what thou wouldst do. Jaq. Why, who cries out on pride, If ever sat at any good man's feast, In the which hope I blush, and hide my sword. Orl. Then, but forbear your food a little while, Duke S. Go find him out, And we will nothing waste till you return. Orl. I thank ye; and be bless'd for your good com fort! [Exit. Duke S. Thou seest, we are not all alone unhappy: Presents more woful pageants, than the scene Jaq. My tongue hath wrong'd him: if it do him right, Made to his mistress' eye-brow. Then, a soldier, Even in the cannon's mouth. And then, the justice, And so he plays his part. The sixth age shifts Duke S. Welcome. Set down your venerable burden, SCENE I-A Room in the Palace. ACT III. Enter Duke FREDERICK, OLIVER, Lords and Attendants. Seek him with candle: bring him, dead or living, Thy lands, and all things that thou dost call thine, Oli. O, that your highness knew my heart in this! I never lov'd my brother in my life. Enter CORIN and TOUCHSTONE. Touch. Truly, shepherd, in respect of itself, it is a good life; but in respect that it is a shepherd's life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now, in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is tedious. As it is a spare life, look you, it fits my humour well: but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd? Cor. No more, but that I know the more one sickens, the worse at ease he is; and that he that wants money, means, and content, is without three good friends; that the property of rain is to wet, and fire Duke F. More villain thou.-Well, push him out of to burn; that good pasture makes fat sheep, and that doors; SCENE II.-The Forest of Arden. Shall see thy virtue witness'd every where. 1 Not in f. e. 2 Weave together. 3 Expeditiously. a great cause of the night, is lack of the sun; that he, that hath learned no wit by nature nor art, may complain of good breeding, or comes of a very dull kindred. Touch. Such a one is a natural philosopher. Wast ever in court, shepherd? Cor. No, truly. Touch. Then thou art damned. Cor. Nay, I hope,— Touch. Truly, thou art damned, like an ill-roasted egg, all on one side. Cor. For not being at court? Your reason. Touch. Why, if thou never wast at court, thou never saw'st good manners; if thou never saw'st good manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation. Thou art in a parlous [Exit. state, shepherd. 4 with a paper in f. e. Cor. Not a whit, Touchstone: those that are good manners at the court are as ridiculous in the country, as the behaviour of the country is most mockable at the court. You told me, you salute not at the court, but you kiss your hands: that courtesy would be uncleanly, if courtiers were shepherds. Touch. Instance, briefly; come, instance. Cor. Why, we are still handling our ewes, and their fells, you know, are greasy. Touch. Why, do not your courtier's hands sweat? and is not the grease of a mutton as wholesome as the sweat of a man? Shallow, shallow. A better instance, I say; come. Cor. Besides, our hands are hard. Touch. Your lips will feel them the sooner: shallow again. A more sounder instance; come. Cor. And they are often tarred over with the surgery of our sheep; and would you have us kiss tar? The courtier's hands are perfumed with civet. Touch. Most shallow man! Thou worms-meat, in respect of a good piece of flesh, indeed!-Learn of the wise, and perpend: civet is of a baser birth than tar the very uncleanly flux of a cat. Mend the instance, shepherd. Cor. You have too courtly a wit for me: I'll rest. Touch. Wilt thou rest damned? God help thee, shallow man! God make incision in thee! thou art raw. Cor. Sir, I am a true labourer: I earn that I eat, get that I wear; owe no man hate, envy no man's happiness; glad of other men's good, content with my harm; and the greatest of my pride is, to see my ewes graze, and my lambs suck. Touch. That is another simple sin in you; to bring the ewes and the rams together, and to offer to get your living by the copulation of cattle; to be bawd to a bell-wether, and to betray a she-lamb of a twelvemonth, to a crooked-pated, old, cuckoldly ram, out of all reasonable match. If thou be'st not damned for this, the devil himself will have no shepherds: I cannot see else how thou shouldst 'scape. Cor. Here comes young master Ganymede, my new mistress's brother. Enter ROSALIND, reading a paper. Ros. From the east to western Ind, Her worth, being mounted on the wind, Are but black to Rosalind. Let no face be kept in mind, But the fair of Rosalind. Touch. I'll rhyme you so, eight years together, dinners, and suppers, and sleeping hours excepted: it is the right butter-women's rank2 to market. Ros. Out, fool! Touch. For a taste: "If a hart do lack a hind, They that reap must sheaf and bind, He that sweetest rose will find, Must find love's prick, and Rosalind." 1 Delineated. This is the very false gallop of verses: why do you infect yourself with them? Ros. Peace! you dull fool: I found them on a tree. Touch. Truly, the tree yields bad fruit. Ros. I'll graff it with you, and then I shall graff it with a medlar: then it will be the earliest fruit i' the country; for you 'll be rotten e'er you be half ripe, and that's the right virtue of the medlar. Touch. You have said; but whether wisely or no, let the forest judge. Enter CELIA, reading a paper. Ros. Peace! Here comes my sister, reading: stand aside. For it is unpeopled? No; 'Twixt the souls of friend and friend : Teaching all that read to know Sad Lucretia's modesty. To have the touches dearest priz'd. Ros. O, most gentle Jupiter !—what tedious homily of love have you wearied your parishioners withal, and never cried, "Have patience, good people!" Cel. How now? back, friends.--Shepherd, go off a little-go with him, sirrah. Touch. Come, shepherd, let us make an honourable retreat; though not with bag and baggage, yet with scrip and scrippage. [Exeunt CORIN and TOUCHSTONE. Cel. Didst thou hear these verses? Ros. O yes, I heard them all, and more too; for some of them had in them more feet than the verses would bear. Cel. That's no matter: the feet might bear the verses. Ros. Ay, but the feet were lame, and could not bear themselves without the verse, and therefore stood lamely in the verse. Cel. But didst thou hear without wondering, how thy name should be hanged and carved upon these trees? Ros. I was seven of the nine days out of the wonder, before you came; for look here what I found on a palm-tree: I was never so be-rhymed since Pythagoras' time, that I was an Irish rats, which I can hardly remember. Cel. Trow you, who hath done this? is frequently spoken of in old writers. 4 Pope inserted, "a." 3 Rhyming Irish rats to death, Ros. Nay, I pr'ythee, now, with most petitionary vehemence, tell me who it is. Cel. O, wonderful, wonderful, and most wonderful wonderful! and yet again wonderful, and after that, out of all whooping! Ros. Good my complexion! dost thou think, though I am caparison'd like a man, I have a doublet and hose in my disposition? One inch of delay more is a Southsea of discovery; I pr'ythee, tell me, who is it quickly; and speak apace. I would thou couldst stammer, that thou mightst pour this concealed man out of thy mouth, as wine comes out of a narrow-mouth'd bottle; either too much at once, or none at all. I pr'ythee take the cork out of thy mouth, that I may drink thy tidings. Cel. So you may put a man in your belly. Ros. Is he of God's making? What manner of man? Is his head worth a hat, or his chin worth a beard? Cel. Nay, he hath but a little beard. Ros. Why, God will send more, if the man will be thankful. Let me stay the growth of his beard, if thou delay me not the knowledge of his chin. Cel. It is young Orlando, that tripp'd up the wrestler's heels and your heart, both in an instant. Ros. Nay, but the devil take mocking: speak sad1 brow, and true maid. Cel. I'faith, coz, 't is he. Ros. Orlando ? Cel. Orlando. Ros. Alas the day! what shall I do with my doublet and hose?What did he, when thou saw'st him? What said he ? How look'd he? Wherein went he? What makes he here? Did he ask for me? Where remains he? How parted he with thee, and when shalt thou see him again? Answer me in one word. Cel. You must borrow me Garagantua's mouth first: 't is a word too great for any mouth of this age's size. To say, ay, and no, to these particulars is more than to answer in a catechism. Ros. But doth he know that I am in this forest, and in man's apparel? Looks he as freshly as he did the day he wrestled? Cel. It is as easy to count atomies, as to resolve the propositions of a lover: but take a taste of my finding him, and relish it with good observance. I found him under a tree, like a dropped acorn. Ros. It may well be call'd Jove's tree, when it drops forth such fruit. Cel. Give me audience, good madam. Cel. There lay he stretch'd along, like a wounded knight. Ros. Though it be pity to see such a sight, it well becomes the ground. Cel. Cry, holla! to thy tongue, I pr'ythee; it curvets unseasonably. He was furnish'd like a hunter. Ros. O ominous! he comes to kill my heart. Ros. Do you not know I am a woman? when I think, I must speak. Sweet, say on. Enter ORLANDO and JAQUES. Cel. You bring me out.-Soft! comes he not here? Ros. 'T is he slink by, and note him. [ROSALIND and CELIA retire. Jaq. I thank you for your company; but, good faith, I had as lief have been myself alone. Orl. And so had I; but yet, for fashion sake, I thank you too for your society. Jaq. Good bye, you: let's meet as little as we can. Orl. I do desire we may be better strangers. Jaq. I pray you, mar no more trees with writing love-songs in their barks. Orl. I pray you mar no more of my verses with reading them ill-favouredly. Jaq. Rosalind is your love's name? Jaq. I do not like her name. Orl. There was no thought of pleasing you, when she was christened. Jaq. What stature is she of? Orl. Just as high as my heart. Jaq. You are full of pretty answers. Have you not been acquainted with goldsmiths' wives, and conn'd them out of rings? Orl. Not so; but I answer you right painted cloth*, from whence you have studied your questions. Jaq. You have a nimble wit: I think 't was made of Atalanta's heels. Will you sit down with me? and we two will rail against our mistress the world, and all our misery. Orl. I will chide no breather in the world, but myself, against whom I know most faults. Jaq. The worst fault you have is to be in love. Orl. 'T is a fault I will not change for your best virtue. I am weary of you. Jaq. By my troth, I was seeking for a fool when I found you. Orl. He is drown'd in the brook: look but in, and you shall see him. Jaq. There I shall see mine own figure. Orl. Which I take to be either a fool, or a cypher. Jaq. I'll tarry no longer with you. Farewell, good signior love. Orl. I am glad of your departure. monsieur melancholy. Adieu, good [Exit JAQUES.-ROSALIND and CELIA come forward. Ros. [Aside to CELIA.] I will speak to him like a saucy lackey, and under that habit play the knave with him. [To him.] Do you hear, forester? Orl. Very well: what would you? Orl. You should ask me, what time o' day: there's no clock in the forest. Ros. Then, there is no true lover in the forest; else sighing every minute, and groaning every hour, would detect the lazy foot of time as well as a clock. Orl. And why not the swift foot of time? had not that been as proper? Ros. By no means, sir. Time travels in divers paces with divers persons. I'll tell you who Time ambles withal, who Time trots withal, who Time gallops withal, and who he stands still withal. Orl. I pr'ythee, who doth he trot withal? Cel. I would sing my song without a burden: thou tween the contract of her marriage, and the day it is bring'st' me out of tune. 1 Serious. 2 Rabelais' giant, who swallowed five pilgrims in a salad. common with pictures on cloth, hung around rooms like tapestry. solemnized if the interim be but a se'nnight, Time's 3 Puttest me out, 4 In the style of the moral maxims painted in pace is so hard that it seems the length of seven years. Orl. Who ambles Time withal? Ros. With a priest that lacks Latin, and a rich man that hath not the gout; for the one sleeps easily, because he cannot study; and the other lives merrily, because he feels no pain: the one lacking the burden of lean and wasteful learning, the other knowing no burden of heavy tedious penury. These Time ambles withal. Orl. Who doth he gallop withal ? Ros. With a thief to the gallows; for though he go as softly as foot can fall, he thinks himself too soon there. Orl. Who stands he1 still withal? in the which women still give the lie to their con- Orl. I swear to thee, youth, by the white hand of Orl. Neither rhyme nor reason can express how much. Ros. Love is merely a madness, and, I tell you, deserves as well a dark house, and a whip, as madmen do; and the reason why they are not so punished and cured, is, that the lunacy is so ordinary, that the whippers are in love too. Yet I profess curing it by counsel. Orl. Did you ever cure any so? Ros. Yes, one; and in this manner. He was to imagine me his love, his mistress, and I set him every Ros. With this shepherdess, my sister; here in the day to woo me: at which time would I, being but a skirts of the forest, like fringe upon a petticoat. Ros. With lawyers in the vacation; for they sleep between term and term, and then they perceive not how time moves. Orl. Where dwell you, pretty youth? Orl Are you native of this place? Ros. As the coney, that you see dwell where she is kindled. Orl. Your accent is something finer than you could purchase in so removed a dwelling. Ros. I have been told so of many: but, indeed, an old religious uncle of mine taught me to speak, who was in his youth an inland man; one that knew courtship too well, for there he fell in love. I have heard him read many lectures against it; and I thank God, I am not a woman, to be touched with so many giddy offences, as he hath generally taxed their whole sex withal. Orl. Can you remember any of the principal evils that he laid to the charge of women? Ros. There were none principal: they were all like one another, as half-pence are; every one fault seeming monstrous, till his fellow fault came to match it. Orl. I pr'ythee, recount some of them. Ros. No; I will not cast away my physic, but on those that are sick. There is a man haunts the forest, that abuses our young plants with carving Rosalind on their barks; hangs odes upon hawthorns, and elegies on brambles; all, forsooth, deifying the name of Rosalind if I could meet that fancy-monger I would give him some good counsel, for he seems to have the quotidian of love upon him. Orl. I am he that is so love-shaked. I pray you, tell me your remedy. Ros. There is none of my uncle's marks upon you: he taught me how to know a man in love: in which cage of rushes, I am sure, you are not prisoner. Orl. What were his marks ? moonish youth, grieve, be effeminate, changeable, longing, and liking; proud, fantastical, apish, shallow, inconstant, full of tears, full of smiles; for every passion something, and for no passion truly any thing, as boys and women are, for the most part, cattle of this colour: would now like him, now loathe him; then entertain him, then forswear him; now weep for him, then spit at him; that I drave my suitor from his mad humour of love, to a loving humour of madness; which was, to forswear the full stream of the world, and to live in a nook, merely monastic. And thus I cured him; and this way will I take upon me to wash your liver as clean as a sound sheep's heart, that there shall not be one spot of love in 't. Orl. I would not be cured, youth. Ros. I would cure you, if you would but call me Rosalind, and come every day to my cote, and woo me. Orl. Now, by the faith of my love, I will. Tell me where it is. Ros. Go with me to it, and I'll show it you; and, by the way, you shall tell me where in the forest you live. Will you go? Orl. With all my heart, good youth. Ros. Nay, you must call me Rosalind.--Come, sister, will you go? [Exeunt. SCENE III. Enter TOUCHSTONE and AUDREY; JAQUES behind, observing them. Touch. Come apace, good Audrey: I will fetch up your goats, Audrey. And how, Audrey? am I the man yet? Doth my simple feature content you? Aud. Your features? Lord warrant us! what features? Ros. A lean cheek, which you have not; a blue eye, Touch. I am here with thee and thy goats, as the and sunken, which you have not; an unquestionable most capricious poet, honest Ovid, was among the spirit, which you have not; a beard neglected, which Goths. | you have not-but I pardon you for that, for, simply, Jaq. [Aside.] O knowledge ill-inhabited! worse your having in beard is a younger brother's revenue. than Jove in a thatch'd house !3 -Then, your hose should be ungarter'd, your bonnet Touch. When a man's verses cannot be understood, unbanded, your sleeve unbuttoned, your shoe untied, nor a man's good wit seconded with the forward child, and every thing about you demonstrating a careless understanding, it strikes a man more dead than a great desolation. But you are no such man; you are rather reckoning in a little room.-Truly, I would the gods point-device2 in your accoutrements; as loving yourself, had made thee poetical. than seeming the lover of any other. Orl. Fair youth, I would I could make thee believe I love. Ros. Me believe it? you may as soon make her that you love believe it; which, I warrant, she is apter to do, than to confess she does: that is one of the points Aud. I do not know what poetical is. Is it honest in deed, and word? Is it a true thing? Touch. No, truly, for the truest poetry is the most feigning; and lovers are given to poetry, and what they swear in poetry, it may be said, as lovers they do feign. 1 stays it in f. e. 2 Exact; derived from a kind of needlework. 3 Alluding to Baucis and Philemon, in Ovid. |