Shakespearean Tragedy and GenderShirley Nelson Garner, Madelon Sprengnether Indiana University Press, 22.02.1996 - 326 Seiten ". . . an important volume for scholar and student alike, and a tribute to the enduring contributions of its authors." —Renaissance Quarterly |
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... Richard III , by contrast , designates at once its self - consciously dra- matic form as a tragedy , its origins as a script for theatrical performance , and its strongly centered focus on the male protagonist : " The Tragedy of Richard ...
... Richard's exchange with Margaret is also the structure of the early scenes in the play : it is always Richard who has the last word - along with the first . Each scene is punctuated by soliloquies in which Richard addresses the audience ...
... Richard and later tragic heroes , see Belsey , Subject of Tragedy 37-39 , and Adelman 9. In Belsey's view , Richard's isolation and self - assertion declare his alignment with the Vice " rather than defining an emerging interiority ...
Inhalt
The Case of Richard III | 31 |
Lavinia in Titus Andronicus | 54 |
Reading Madness and Gender | 75 |
Urheberrecht | |
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Shakespearean Tragedy and Gender Shirley Nelson Garner,Madelon Sprengnether Eingeschränkte Leseprobe - 1996 |
Shakespearean Tragedy and Gender Shirley Nelson Garner,Madelon Sprengnether Keine Leseprobe verfügbar - 1996 |