Laocoon; Or The Limits of Poetry and PaintingJ. Ridgway & Sons., 1836 - 373 Seiten |
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Seite vi
... and to mark the boundary line which forms the limit of their respective territories . This object has been much facili- tated by the circumstance of the same story having furnished the subject for one of the greatest masterpieces vi.
... and to mark the boundary line which forms the limit of their respective territories . This object has been much facili- tated by the circumstance of the same story having furnished the subject for one of the greatest masterpieces vi.
Seite xv
... line between the vice of exaggeration on the one hand , and of culpable negligence on the other . Instead of taking example by this prudent spirit , we moderns too often labor to amplify all that we draw from them . We fancy we have ...
... line between the vice of exaggeration on the one hand , and of culpable negligence on the other . Instead of taking example by this prudent spirit , we moderns too often labor to amplify all that we draw from them . We fancy we have ...
Seite xviii
... line of argu- ment or illustration may be desired , we yield to no nation in the world . Baumgarten acknowledged that he was in- debted to Gesner's Dictionary for a great part of the examples in his work on Æsthetics . If my reasoning ...
... line of argu- ment or illustration may be desired , we yield to no nation in the world . Baumgarten acknowledged that he was in- debted to Gesner's Dictionary for a great part of the examples in his work on Æsthetics . If my reasoning ...
Seite 5
... lines filled with interjectional exclamations , which occur so frequently in this act , and which must be delivered with long pauses and separations unnecessary in a con- nected discourse , had doubtless the effect of rendering the ...
... lines filled with interjectional exclamations , which occur so frequently in this act , and which must be delivered with long pauses and separations unnecessary in a con- nected discourse , had doubtless the effect of rendering the ...
Seite 11
... had some other motive for de- parting , in this instance , from the line adopted by his rival , the poet , who has chosen deliber- ately to express those shrieks . He SECOND SECTION . The primary Law of the Arts consists LAOCOON . 11.
... had some other motive for de- parting , in this instance , from the line adopted by his rival , the poet , who has chosen deliber- ately to express those shrieks . He SECOND SECTION . The primary Law of the Arts consists LAOCOON . 11.
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Laocoon; Or the Limits of Poetry and Painting Gotthold Ephraim Lessing,William Ross Keine Leseprobe verfügbar - 2015 |
Laocoon; Or the Limits of Poetry and Painting Gotthold Ephraim Lessing,William Ross Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Achilles acquainted action admiration Æneas Æneid Æsop Agesander alluded ancient artists appear artifice Athenodorus attributes Bacchus bodily pain body Caylus Chabrias character circumstance Comte de Caylus contrary corporeal beauty critic deformity degree delineation describes disgust divine effect employed end of volume example excite executed exhibited expression eyes fancy feeling figure follow former Furies give Glasgow goddess gods Greek hand Harduin hero Homer idea Iliad imagination imitation instance Laocoon latter less Lysippus Mars means nature Neoptolemus never Nicias Note object observed Olympiad opinion Ovid painter painting passage Pausanias Phidias Philoctetes Pliny poet poetic pictures poetry Polydorus Polygnotus produce Pythodorus reference render represented ridiculous Roman says sceptre sculptor sect SECTION serpents shield shrieks sight single Sophocles spectator Spence Statius statue sufferings suppose sympathy taste Timanthes tion traits Translator true Venus Vesta Virgil whole Winkelmann words writer δε
Beliebte Passagen
Seite 243 - But I, that am not shap'd for sportive tricks, Nor made to court an amorous looking-glass ; I, that am rudely stamp'd, and want love's majesty To strut before a wanton ambling nymph ; I, that am curtail...
Seite 243 - I, that am curtail'd of this fair proportion, Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them...
Seite 322 - ... et jam bis medium amplexi, bis collo squamea circum terga dati, superant capite et cervicibus altis.
Seite 208 - Sotto quel sta, quasi fra due vallette La bocca sparsa di natio cinabro; Quivi due filze son di perle elette, Che chiude ed apre un bello, e dolce labro: Quindi escon le cortesi parolette Da render molle ogni cor rozzo e scabro: Quivi si forma quel soave riso, Ch'apre a sua posta in terra il paradiso. Bianca neve è il bel collo, e...
Seite 160 - This sceptre, form'd by temper'd steel, to prove An ensign of the delegates of Jove, From whom the power of laws and justice springs (Tremendous oath! inviolate to kings): By this I swear, when bleeding Greece again Shall call Achilles, she shall call in vain.
Seite 243 - Cheated of feature by dissembling nature, Deform'd, unfinish'd, sent before my time Into this breathing world, scarce half made up, And that so lamely and unfashionable That dogs bark at me as I halt by them; Why, I, in this weak piping time of peace...
Seite 194 - The' appointed heralds still the noisy bands, And form a ring, with sceptres in their hands : On seats of stone, within the sacred place, The reverend elders nodded o'er the case ; Alternate, each the...
Seite 242 - Thou, nature, art my goddess ; to thy law My services are bound : Wherefore should I Stand in the plague of custom ; and permit The curiosity of nations to deprive me, For that I am some twelve or fourteen moon-shines Lag of a brother? Why bastard?
Seite 243 - That dogs bark at me, as I halt by them; Why, I, in this weak piping time of peace, Have no delight to pass away the time...
Seite 155 - Of sounding brass ; the polished axle, steel. Eight brazen spokes in radiant order flame ; The circles gold, of uncorrupted frame, Such as the heavens produce : and round the gold, Two brazen rings of work divine were roll'd.