The Elizabethan Dramatists as CriticsPhilosophical Library, 1963 - 420 Seiten |
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... Drama 334 The Scope and Function of the Drama 336 Satire in the Drama 341 The Drama as Literature 347 The Question of Authority 351 Playmaking 359 A. Selection of Material 360 B. Technique 366 C. Mixture of Types D. Stock Devices E ...
... Drama 334 The Scope and Function of the Drama 336 Satire in the Drama 341 The Drama as Literature 347 The Question of Authority 351 Playmaking 359 A. Selection of Material 360 B. Technique 366 C. Mixture of Types D. Stock Devices E ...
Seite 91
David Klein. FUNCTION OF THE DRAMA What Schelling would call " the earliest regular English play , " namely , Calisto and Meliboa , written between 1520 and 1530 , is modelled on Celestina , the earliest modern Spanish drama . But the ...
David Klein. FUNCTION OF THE DRAMA What Schelling would call " the earliest regular English play , " namely , Calisto and Meliboa , written between 1520 and 1530 , is modelled on Celestina , the earliest modern Spanish drama . But the ...
Seite 416
... drama were almost contemporary with the composi- tion of the Defense of Poesy , and the decay of the drama with Jonson's Discoveries . Yet throughout this period the romantic drama never received literary exposition . The great Spanish ...
... drama were almost contemporary with the composi- tion of the Defense of Poesy , and the decay of the drama with Jonson's Discoveries . Yet throughout this period the romantic drama never received literary exposition . The great Spanish ...
Inhalt
APPLIED CRITICISM | 1 |
EXCLUSIVE OF SHAKESPEARE AND JONSON | 18 |
A Variety of Demand | 172 |
Urheberrecht | |
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action actor Aristotle audience Bartholomew Fair Beaumont Ben Jonson brain censure Chapman Chorus clown comedy comic conceit criticism Dekker delight doth drama dramatists ears Elizabethan English Epil epilogue Epitasis expressed eyes Fletcher fool give grace hath hear Heywood Histriomastix Humor Ibid ignorance imagination invention Jonson judgment kings language laughter learned lord Love's Love's Labor's Lost Magnetic Lady Marston masque Massinger matter Middleton mirth Muses Nash nature never Northward Ho Parliament of Bees passage person play players playwrights plot poem poesy poet Poetaster poetic poetry present Prol prologue quoted reader Return from Parnassus rhyme Richard Flecknoe ridiculous Roaring Girl satire scene scorn Sejanus Shakespeare Shirley soul Spanish Tragedy speak spectators speech spirit stage strange sweet theater thee things thou thought tion Tomkis tongue tragedy true truth unto verse vice virtue words write