A Short History of the English DramaHarcourt, Brace, 1921 - 260 Seiten |
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Seite 18
... playwright was simply an artist , working with no theory to advance , but only with the aim of setting before his audience life as he saw it , with a touch of satire , but satire all the more pleasant because no one was wounded by the ...
... playwright was simply an artist , working with no theory to advance , but only with the aim of setting before his audience life as he saw it , with a touch of satire , but satire all the more pleasant because no one was wounded by the ...
Seite 22
... playwrights , Plautus and Seneca , who were adopted as exemplars of comedy and tragedy respect- ively . " The second impulse , that of the spirit of ro- mance , is not less important , as it gave freest play to the imagination . It was ...
... playwrights , Plautus and Seneca , who were adopted as exemplars of comedy and tragedy respect- ively . " The second impulse , that of the spirit of ro- mance , is not less important , as it gave freest play to the imagination . It was ...
Seite 37
... eye . pleasure that the picture . . Authors , being free from the modern playwright's necessity to lead up to a ' situation , ' a stage picture , on which the curtain may fall sharply at the close of each act , made THE ELIZABETHAN AGE 37.
... eye . pleasure that the picture . . Authors , being free from the modern playwright's necessity to lead up to a ' situation , ' a stage picture , on which the curtain may fall sharply at the close of each act , made THE ELIZABETHAN AGE 37.
Seite 58
... playwright . He received to some extent the benefits of patronage , and he was an actor and a stockholder in the theatres of London as well as a playwright . By 1597 he seems so far to have improved his worldly station as to be able to ...
... playwright . He received to some extent the benefits of patronage , and he was an actor and a stockholder in the theatres of London as well as a playwright . By 1597 he seems so far to have improved his worldly station as to be able to ...
Seite 79
... playwright , shows no slackening of interest but makes the air more and more heavy with impend- ing tragedy ; and the fifth , by its swift and terrible close , especially shows the artist's improvement on his sources . All of this is ...
... playwright , shows no slackening of interest but makes the air more and more heavy with impend- ing tragedy ; and the fifth , by its swift and terrible close , especially shows the artist's improvement on his sources . All of this is ...
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acter actors adapted appeared artist Beaumont and Fletcher became Ben Jonson Bussy D'Ambois Caesar century char characterization characters chronicle play Cibber classical collaboration comedy of manners comic Congreve contemporary criticism Cymbeline death decade Dekker developed dialogue dramatist Dryden Duchess edited Elizabethan Elizabethan drama emphasis England English Drama especially famous fourth act French Garrick George Hamlet Henry hero heroic drama heroic play Heywood humor husband influence interest Introduction John Jonson Julius Caesar King Lady later literary literature London lover Maid's Tragedy main plot Marlowe masque master Molière moral Neilson Nettleton noteworthy Othello passion period playhouses playwright poet poetic poetry popular primarily production prose Puritan Queen representative Restoration Restoration comedy revenge Richard Rival romantic satire scene seems sentimental Shakespeare Sheridan shows Spanish stage story success theatre theatrical theme Thomas tion tragedy tragicomedy Troilus and Cressida verse wife William woman writing wrote young