Shakespeare's Romance of the Word, Band 10Bucknell University Press, 1990 - 183 Seiten This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings. |
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Seite 13
... speech in Pericles , Cymbeline , The Winter's Tale , and The Tempest , I have tried to remember that words ( and musings about words ) play only one part in the total effect of a scene , act , or play . Admittedly , individual essays of ...
... speech in Pericles , Cymbeline , The Winter's Tale , and The Tempest , I have tried to remember that words ( and musings about words ) play only one part in the total effect of a scene , act , or play . Admittedly , individual essays of ...
Seite 14
... speech . With the possi- ble exception of Pericles , Shakespeare dramatizes the linguistic sequence outlined above in anything but a neat , compartmenta- lized manner . In fact , problematic language may erupt during a romance's latter ...
... speech . With the possi- ble exception of Pericles , Shakespeare dramatizes the linguistic sequence outlined above in anything but a neat , compartmenta- lized manner . In fact , problematic language may erupt during a romance's latter ...
Seite 15
... speech , Ben Jonson believed that " it springs out of the most retired and inmost parts of us , and is the image of the pres- ent of it , the mind . " Jonson's judgment on speech , delivered to Drummond of Hawthornedon and recorded in ...
... speech , Ben Jonson believed that " it springs out of the most retired and inmost parts of us , and is the image of the pres- ent of it , the mind . " Jonson's judgment on speech , delivered to Drummond of Hawthornedon and recorded in ...
Seite 16
... speech . " Despite criticisms , the Sapir - Whorf hypothesis has stimulated psycholinguists to describe the ways in which speech creates mind . 9 In the field of Shakespeare studies , Marion Trousdale's argument that ver- bal models ...
... speech . " Despite criticisms , the Sapir - Whorf hypothesis has stimulated psycholinguists to describe the ways in which speech creates mind . 9 In the field of Shakespeare studies , Marion Trousdale's argument that ver- bal models ...
Seite 17
... speech - act theory ; insights de- rived from these modern linguistic approaches can supplement Renaissance doctrines of speech to illuminate Shakespeare's ver- bal concerns in the last romances . My methodology , then , is ec- lectic ...
... speech - act theory ; insights de- rived from these modern linguistic approaches can supplement Renaissance doctrines of speech to illuminate Shakespeare's ver- bal concerns in the last romances . My methodology , then , is ec- lectic ...
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Häufige Begriffe und Wortgruppen
Alonso Antiochus's Antonio appears Ariel Arviragus Arviragus's beauty becomes Belarius's believes Caliban Camillo Ceres characters Cleon comic context courtiers creates critical Cymbeline dance daughter Discourse divine dramatic ears effect Elizabethan evil experience expression eyes faith Ferdinand Florizel flowers Gonzalo Guiderius hear Hermione Hermione's Iachimo idea imagination Imogen interpretation jesting Jonah Jupiter's King King's knowledge language last plays last romances Leontes linguistic London Lysimachus Marina Masque meaning Metadrama metaphor mind Miranda moral nature Northrop Frye passion pastoral Paulina's Perdita Pericles perspective play's poetry Polixenes Posthumus Posthumus's Prince Prince of Tyre Prospero Queen redemptive Renaissance reprint reveals riddle role Sapir-Whorf hypothesis scene Sebastian Shake Shakespeare Quarterly Shakespeare Studies Shakespeare's last Shakespeare's Romance shapes slander speak speaker speare's speech acts spirit Stephano Stephen Orgel Sycorax symbolic tells Tempest Thaisa thee thou tion Trinculo truth understanding University Press utterance verbal viewer virtue vision Winter's Tale word's words
Beliebte Passagen
Seite 138 - And mine shall. Hast thou, which art but air, a touch, a feeling Of their afflictions, and shall not myself, One of their kind, that relish all as sharply Passion as they, be kindlier mov'd than thou art ? Though with their high wrongs I am struck to the quick, Yet, with my nobler reason, 'gainst my fury Do I take part.
Seite 131 - O, it is monstrous! monstrous! Methought, the billows spoke, and told me of it; The winds did sing it to me; and the thunder, That deep and dreadful organ-pipe, pronounc'd The name of Prosper; it did bass my trespass. Therefore my son i" the ooze is bedded ; and I'll seek him deeper than e'er plummet sounded, And with him there lie mudded.
Seite 65 - tis Slander, Whose edge is sharper than the Sword, whose tongue Out-venoms all the Worms of Nile, whose breath Hides on the posting winds, and doth belie All corners of the World. Kings, Queens, and States, Maids, Matrons, nay the Secrets of the Grave This viperous slander enters.
Seite 54 - Whilst summer lasts, and I live here, Fidele, I'll sweeten thy sad grave: Thou shalt not lack The flower, that's like thy face, pale primrose; nor The azur'd hare-bell, like thy veins; no, nor The leaf of eglantine, whom not to slander, Out-sweeten'd not thy breath...
Seite 43 - It is incident to him to be now and then entangled with an unwieldy sentiment, which he cannot well express, and will not reject; he struggles with it a while, and if it continues stubborn, comprises it in words such as occur, and leaves it to be disentangled and evolved by those who have more leisure to bestow upon it.
Seite 43 - ... it a while, and if it continues stubborn, comprises it in words such as occur and leaves it to be disentangled and evolved by those who have more leisure to bestow upon it. Not that always where the language is intricate the thought is subtle, or the image always great where the line is bulky ; the equality of words to things is very often neglected, and trivial sentiments and vulgar ideas disappoint the attention, to which they are recommended by sonorous epithets and swelling figures.
Seite 19 - Fish. Why as men do a-land: the great ones eat up the little ones.
Verweise auf dieses Buch
The Bedford Companion to Shakespeare: An Introduction with Documents Russ McDonald Eingeschränkte Leseprobe - 2001 |