Longer Views: Extended EssaysWesleyan University Press, 15.03.2016 - 659 Seiten Six essays from the critic and award-winning author exploring topics such as theater, LGBTQ+ scholarship, cyborgs, metaphors, and Star Wars. “Reading is a many-layered process—like writing,” observes Samuel R. Delany, a Nebula and Hugo Award–winning author and a major commentator on American literature and culture. In this collection of six extended essays, Delany challenges what he calls “the hard-edged boundaries of meaning” by going beyond the customary limits of the genre in which he’s writing. By radically reworking the essay form, Delany can explore and express the many layers of his thinking about the nature of art, the workings of language, and the injustices and ironies of social, political, and sexual marginalization. Thus, Delany connects, in sometimes unexpected ways, topics as diverse as the origins of modern theater, the context of lesbian and gay scholarship, the theories of cyborgs, how metaphors mean, and the narrative structures in the Star Wars trilogy. “Over the course of his career,” Kenneth James writes in his extensive introduction, “Delany has again and again thrown into question the world-models that all too many of us unknowingly live by.” Indeed, Delany challenges an impressive list of world-models here, including High and Low Art, sanity and madness, mathematical logic and the mechanics of mythmaking, the distribution of wealth in our society, and the limitations of our sexual vocabulary. Also included are two essays that illustrate Delany’s unique chrestomathic technique, the grouping of textual fragments whose associative interrelationships a reader must actively trace to read them as a resonant argument. Whether writing about Wagner or Hart Crane, Foucault or Robert Mapplethorpe, Delany combines a fierce and often piercing vision with a powerful honesty that beckons us to share in the perspective of these Longer Views. “An intellectually adventurous book. . . . Every page of every essay here rewards a second reading, and a third. Delany has a fearsomely stocked intellect, and a wider range of experience than most writers can even imagine. . . . He is brilliant, driven, prolific.” —The Nation “One of science fiction’s grand masters. . . . Delany’s elegant command of language and deep insight into other authors’ works are delightful to behold.” —Booklist “Rare personal frankness and stunning erudition. . . . Recommended for readers who enjoy the challenge of being led into remote regions of a gifted mind.” —Library Journal |
Im Buch
Ergebnisse 1-5 von 30
Seite 1
... Dresden Uprising of 1849. Lest some scholar chide me for ignorance or willful distortion, I state here that in neither case have I told the whole story; there are many facts that are known about both that do not fit into the neat and ...
... Dresden Uprising of 1849. Lest some scholar chide me for ignorance or willful distortion, I state here that in neither case have I told the whole story; there are many facts that are known about both that do not fit into the neat and ...
Seite 21
... Dresden Uprising of 1849), has wound throughout our lives, now seriously, now as parody, from childhood on? How can one speak of a first exposure to the Liebestod that has yearned throughout the three acts of Tristan und Isoldesince its ...
... Dresden Uprising of 1849), has wound throughout our lives, now seriously, now as parody, from childhood on? How can one speak of a first exposure to the Liebestod that has yearned throughout the three acts of Tristan und Isoldesince its ...
Seite 37
... Dresden Opera house, and Bakûnin Wagner's most radical friend during the Dresden Uprising of 1849; Sand was the European champion of Stowe's Uncle Tom's Cabin; and she was inspiration to Dostoyevski, Elizabeth Barrett Browning, and ...
... Dresden Opera house, and Bakûnin Wagner's most radical friend during the Dresden Uprising of 1849; Sand was the European champion of Stowe's Uncle Tom's Cabin; and she was inspiration to Dostoyevski, Elizabeth Barrett Browning, and ...
Seite 42
... Dresden's uprising of 1849, are where Wagner formulated his attack on the future of art. With the accomplishment of the Ring and the other music-dramas that followed this three-volume-plus elaboration of the social function of art in ...
... Dresden's uprising of 1849, are where Wagner formulated his attack on the future of art. With the accomplishment of the Ring and the other music-dramas that followed this three-volume-plus elaboration of the social function of art in ...
Seite 43
... Dresden Uprising of May, 1849, as the rack on which Wagner's true political colors were displayed—or the forge at which his political convictions were hammered out. Wagner devotes considerable space to it in his autobiography Mein Leben ...
... Dresden Uprising of May, 1849, as the rack on which Wagner's true political colors were displayed—or the forge at which his political convictions were hammered out. Wagner devotes considerable space to it in his autobiography Mein Leben ...
Inhalt
1 | |
A Reading of Donna Haraways Manifesto for Cyborgs Science Technology and Socialist Feminism in the 1980s | 87 |
AversionPerversionDiversion | 119 |
Shadow and Ash | 144 |
Some Notes on Hart Crane | 174 |
Shadows | 251 |
Index | 325 |
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