The Vulgarization of Art: The Victorians and Aesthetic Democracy

aesthetic democracy Aesthetic Education aesthetic judgment aesthetic liberalism Aestheticism architecture aristocratic Arnold art and beauty audience become Botticelli brotherly company called century Characteristics claims Courthope Culture and Anarchy declared defense democratic England English essay experience Gothic architecture Gothic ideal Hellenism hopes human Iceland idea ideological individual insisted isonomia J. A. Symonds John John Ruskin kalon Kant Kelmscott Manor legitimacy Letters liberal polity liberty living Locke Locke's London Mackail Matthew Arnold middle-class mind modern moral sense moral-aesthetic sense Morris's Nature of Gothic notion ontic ontic logos Oscar Wilde Oxford Pater Pater's Renaissance philosophical pleasure political precisely Prose readers realm Review revolution Ruskin and Morris Ruskin's Gothic Ruskin's religious Schiller seemed sensuous sensus communis Shaftesbury simply social socialist society soul Stones of Venice taste tion transcendental transformation Univ universal utopian vision Vulgarization of Art Whig aesthetic tradition Whig polity Whiggery Whistler Wilde's William Morris Winckelmann