The TempestDuffield, 1909 - 66 Seiten |
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Seite vii
... play cannot be absolutely determined , critics are now almost universally agreed in placing it among the last of Shakespeare's compo- sitions . Among the evidence which has been produced as bearing on the question may be cited Gonzalo's ...
... play cannot be absolutely determined , critics are now almost universally agreed in placing it among the last of Shakespeare's compo- sitions . Among the evidence which has been produced as bearing on the question may be cited Gonzalo's ...
Seite viii
... play , it is certainly probable that Shakespeare had read this work , and it is quite possible that he may have been impelled to write a play on the subject of a storm and an enchanted island at the time when this account was received ...
... play , it is certainly probable that Shakespeare had read this work , and it is quite possible that he may have been impelled to write a play on the subject of a storm and an enchanted island at the time when this account was received ...
Seite ix
... play in the early years of James I's reign . Beaumont and Fletcher offer several examples of this : for instance in the Maid's Tragedy , which was probably written two years before the Tempest , there is a masque in the first act which ...
... play in the early years of James I's reign . Beaumont and Fletcher offer several examples of this : for instance in the Maid's Tragedy , which was probably written two years before the Tempest , there is a masque in the first act which ...
Seite xi
... Play is about four hours , from just before 2 p.m. to 6. The Play observes the classic unities of time , place , and action . 1 As this line , and the list of ' Names of the Actors , ' are given in the Folio at the end of the Play , the ...
... Play is about four hours , from just before 2 p.m. to 6. The Play observes the classic unities of time , place , and action . 1 As this line , and the list of ' Names of the Actors , ' are given in the Folio at the end of the Play , the ...
Seite 1
... Boteswaine , haue care ! Play the men ! Botef . I pray now , keepe below ! Anth . Where is the Mafter , Bofon ? Where's the Master > ΙΟ 12 3. to't ] too't F. Botef . Do you not heare him ? You marre I [ I. i . 1-12 . B THE ...
... Boteswaine , haue care ! Play the men ! Botef . I pray now , keepe below ! Anth . Where is the Mafter , Bofon ? Where's the Master > ΙΟ 12 3. to't ] too't F. Botef . Do you not heare him ? You marre I [ I. i . 1-12 . B THE ...
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Actus Againſt almoſt ANTHONIO aſleepe ayre Bartholomew Fair beleeue beſt Botef braue brother bufineffe Caliban cam'ft Ceres daughter Dido diuell do's doth Duke of Millaine Dukedome elſe Enter ARIELL euen euery Exeunt Exit F. J. FURNIVALL fafely Father Ferdinand fhall fince firſt fiſh flaue fleepe fome fonne foule freſh fuch giue Gonz GONZALO hath haue heare heauens hee's heere hither I'le i'th Ifle Iſland Iuno King King of Naples liue loffe loft looſe Lord loue Mafter Miftris Mira Miranda moft Monſter moſt Muficke muft muſt Naples neuer o'th play Pleaſe preſent prethee Prof PROSPERO purpoſe Re-enter ARIELL reaſon reſt ſaw ſay SEBASTIAN ſhall ſhape ſhe ſhould ſome ſpeake Spirit ſplit ſtand Stephano ſtrange ſuch Sycorax Tempest thee theſe thine thou art Thou do'ft thy felfe Trin TRINC Trinculo Tunis vnder vpon vſe whofe Whoſe Widdow