The Quarterly Musical Magazine and Review, Band 3Baldwin, Craddock, and Joy, 1821 |
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Seite
... Masses , with an Accompaniment for the Organ , ar- ranged from the full score , by Vincent Novello , Organist to the Portuguese Embassy , in London . London . Galloway . XVI . Sonata for the Piano Forte , with an Accompaniment for the ...
... Masses , with an Accompaniment for the Organ , ar- ranged from the full score , by Vincent Novello , Organist to the Portuguese Embassy , in London . London . Galloway . XVI . Sonata for the Piano Forte , with an Accompaniment for the ...
Seite 8
... church and the theatre ; but we are best acquainted with his compositions for the former . These , too , may be reduced to his Stabat Mater , his masses and his oratorio of " The Creation . " To this list we may THE MUSICAL STUDENT .
... church and the theatre ; but we are best acquainted with his compositions for the former . These , too , may be reduced to his Stabat Mater , his masses and his oratorio of " The Creation . " To this list we may THE MUSICAL STUDENT .
Seite 8
... Masses , Vol . 2. page 12. The Student at page 30 of the same volume will also find a delicious morsel , composed by GIACO- MO PERTI . This movement is also inserted by PADRE MARTINI , in his admi- rable " Saggio di contrapunto ...
... Masses , Vol . 2. page 12. The Student at page 30 of the same volume will also find a delicious morsel , composed by GIACO- MO PERTI . This movement is also inserted by PADRE MARTINI , in his admi- rable " Saggio di contrapunto ...
Seite 8
... masses of HAYDN . I shall proceed to notice a few of them . In the " Gratias agimus tibi , " of the first mass , we find the b7-9 taken , without the preparation of either sound . See example No. 5. This unprepared discord , accompanied ...
... masses of HAYDN . I shall proceed to notice a few of them . In the " Gratias agimus tibi , " of the first mass , we find the b7-9 taken , without the preparation of either sound . See example No. 5. This unprepared discord , accompanied ...
Seite 8
... mass . They are of a similar character to the ex- amples already noticed . Were I to proceed through the other masses , I might very easily multiply proofs of the correctness of the proposi tion which I have ventured to advance ...
... mass . They are of a similar character to the ex- amples already noticed . Were I to proceed through the other masses , I might very easily multiply proofs of the correctness of the proposi tion which I have ventured to advance ...
Inhalt
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Häufige Begriffe und Wortgruppen
accent accompaniment adapted appears arpeggio bass beautiful BRAHAM brilliant canon CATALANI character chorus church CLEMENTI composed composition concert consecutive fifths court of assistants CRAMER degree delight double bass dramatic duet effect elegant eminent English enharmonic excellence execution expression feeling fifth fugue genius give glee HANDEL harmony HAYDN imitation instrument intervals introduced Italian Kyrie London MADAME Madame Albert MADAME VESTRIS major major tone manner melody ment mind minor third MISS STEPHENS modulation movement MOZART musicians nature notes octave opera orchestra organ original particular passages passion peculiar perfect perfect fifth performance perhaps Piano Forte piece pipes principal produce recitative remarks ROSSINI semitone sentiment shew Signor singer singing solo sonatas song sound species strings style sung sweet talent taste Terpodion theatre tion tone treble tune variations vibrations violin vocal voice whole words writing
Beliebte Passagen
Seite 136 - And God said, Let the earth bring forth grass, the herb yielding seed, and the fruit tree yielding fruit after his kind, whose seed is in itself, upon the earth : and it was so.
Seite 352 - How sweet the answer Echo makes To music at night, When, roused by lute or horn, she wakes, And far away, o'er lawns and lakes, Goes answering light. Yet Love hath echoes truer far, And far more sweet, Than e'er beneath the moonlight's star, Of horn or lute, or soft guitar, The songs repeat. 'Tis when the sigh, in youth sincere, And only then, — The sigh that's breath'd for one to hear, Is by that one, that only dear, Breathed back again ! OH BANQUET NOT.
Seite 272 - And now, my race of terror run, Mine be the eve of tropic sun ! No pale gradations quench his ray, No twilight dews his wrath allay ; With disk like battle-target red He rushes to his burning bed, Dyes the wide wave with bloody light, Then sinks at once — and all is night.
Seite 280 - Who would seek or prize Delights that end in aching ? Who would trust to ties That every hour are breaking?
Seite 494 - And I heard a voice from heaven, as the voice of many waters, and as the voice of a great thunder ; and I heard the voice of harpers harping with their harps, and they sung as it were a new song before the throne and before the four beasts and the elders; and no man could learn that song but the hundred and forty and four thousand, which were redeemed from the earth.
Seite 137 - He hath measured the waters in the hollow of his hand, and meted out the heavens with a span ? Thine, O Lord, is the greatness, and the power, and the glory, and the victory, and the majesty.
Seite 351 - How sweet the answer Echo makes To Music at night When, roused by lute or horn, she wakes, And far away o'er lawns and lakes Goes answering light ! Yet Love hath echoes truer far And far more sweet Than e'er, beneath the moonlight's star, Of horn or lute or soft guitar The songs repeat. 'Tis when the sigh, — in youth sincere And only then, The sigh that's breathed for one to hear — Is by that one, that only Dear Breathed back again.
Seite 465 - Lucidus Ordo ; comprising an Analytical Course of Studies on the several Branches of Musical Science, with a new order of Thorough Bass...
Seite 188 - Rabbinical traditions, that they were all originally intended to be sung by the multitude, or whole congregation, indiscriminately. Singing implies not only a tuneable voice, but skill in music; for music either is or is not an art, or something which nature and instinct do not supply; if it be allowed that title...
Seite 353 - O'er files array'd With helm and blade, And plumes in the gay wind dancing. Yet, 'tis not helm or feather — For ask yon despot, whether His plumed bands Could bring such hands And hearts as ours together. Leave pomps to those who need 'em — Give man but heart and freedom, And proud he braves The gaudiest slaves That crawl where monarchs lead 'em. The sword may pierce the beaver. Stone walls in time may sever, 'Tis mind alone, Worth steel and stone, That keeps men free for ever.