Proceedings of the Literary & Philosophical Society of Liverpool, Ausgabe 58

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Seite 17 - To draw no envy, SHAKESPEARE, on thy name, Am I thus ample to thy book and fame ; While I confess thy writings to be such, As neither man, nor muse, can praise too much.
Seite 6 - There is but one With whom she has heart to be gay. When will the dancers leave her alone? She is weary of dance and play." Now half to the setting moon are gone, And half to the rising day; Low on the sand and loud on the stone The last wheel echoes away.
Seite 14 - Before the beginning of years, There came to the making of man Time, with a gift of tears ; Grief, with a glass that ran ; Pleasure, with pain for leaven ; Summer, with flowers that fell ; Remembrance fallen from heaven, And madness risen from hell ; Strength without hands to smite ; Love that endures for a breath ; Night, the shadow of light, And life, the shadow of death.
Seite 10 - Seneca, let blood line by line, and page by page, at length must needs die to our stage...
Seite 14 - Life of Life ! thy lips enkindle With their love the breath between them ; And thy smiles before they dwindle Make the cold air fire; then screen them In those looks, where whoso gazes Faints, entangled in their mazes.
Seite 5 - His father was a butcher, and I have been told heretofore by some of the neighbours that when he was a boy he exercised his father's trade, but when he killed a calf he would do it in a high style, and make a speech.
Seite 18 - An idle poet, here and there, Looks round him ; but, for all the rest, The world, unfathomably fair, Is duller than a witling's jest. Love wakes men, once a lifetime each ; They lift their heavy lids, and look ; And, lo, what one sweet page can teach, They read with joy, then shut the book. And some give thanks, and some blaspheme, And most forget; but, either way, That and the Child's unheeded dream Is all the light of all their day.
Seite 9 - ... che con più alto stilo dea, ne la presente opera, un poco di gravezza, per la quale paia di maggiore autoritade.
Seite 11 - ... the grand work of literary genius is a work of synthesis and exposition, not of analysis and discovery; its gift lies in the faculty of being happily inspired by a certain intellectual and spiritual atmosphere, by a certain order of ideas, when it finds itself in them...
Seite 7 - Latin models could only have served to mislead him. Indeed, it is impossible not to remark his admiration of writers far inferior to himself; and, in particular, his idolatry of Virgil, who, elegant and splendid as he is, has no pretensions to the depth and originality of mind which characterise his Tuscan worshipper. In truth, it may be laid down as an almost universal rule that good poets are bad critics.

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