The Oxford Shakespeare: The History of King LearOUP Oxford, 04.01.2001 - 336 Seiten The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers - a new, modern-spelling text, based on the Quarto text of 1608 - on-page commentary and notes explain meaning, staging, allusions and much else - detailed introduction considers composition, sources, performances and changing critical attitudes to the play - illustrated with production photographs and related art - includes 'The Ballad of King Lear' and related offshoots - full index to introduction and commentary - durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.' Times Literary Supplement ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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Seite 1
... seems to have been his first completed manu- script of the play , contains some 25,000 words . Shakespeare's penning of these words has had consequences that he cannot have foreseen . It has resulted in countless theatrical performances ...
... seems to have been his first completed manu- script of the play , contains some 25,000 words . Shakespeare's penning of these words has had consequences that he cannot have foreseen . It has resulted in countless theatrical performances ...
Seite 2
... seems to me not his best play ' . For centuries , however , no one , including Bradley , had had the chance to see the play performed in anything like a full and un- adapted text , or in conditions remotely approximating to those for ...
... seems to me not his best play ' . For centuries , however , no one , including Bradley , had had the chance to see the play performed in anything like a full and un- adapted text , or in conditions remotely approximating to those for ...
Seite 3
... seems equally great but less formid- able than some earlier accounts might suggest , a colossus of a play still , but one that is shot through with irony and tenderness , a play that may arouse laughter as well as terror , tears as well ...
... seems equally great but less formid- able than some earlier accounts might suggest , a colossus of a play still , but one that is shot through with irony and tenderness , a play that may arouse laughter as well as terror , tears as well ...
Seite 7
... seem complementary to other modern editions , offering insight into the text of Shake- speare's greatest play as he first conceived it . 1 An exception is M. R. Ridley , in his lightly annotated New Temple edition of 1936 , who ...
... seem complementary to other modern editions , offering insight into the text of Shake- speare's greatest play as he first conceived it . 1 An exception is M. R. Ridley , in his lightly annotated New Temple edition of 1936 , who ...
Seite 8
... performances based on the Quarto , but before the major revision , but since there seems no way of iden- tifying such changes , the question is incapable of resolution . The ultimate answer is that there is no way in 8 Introduction.
... performances based on the Quarto , but before the major revision , but since there seems no way of iden- tifying such changes , the question is incapable of resolution . The ultimate answer is that there is no way in 8 Introduction.
Inhalt
Textual Introduction and Editorial Procedures | 81 |
The Ballad of King Lear | 277 |
Alterations to Lineation | 293 |
Häufige Begriffe und Wortgruppen
actors Albany Antony Sher ballad bastard BLAYNEY Burgundy Cambridge CAPELL cited Cordelia Cornwall criticism daughters death dost Dover Duke Duke of Albany Duke of Cornwall Earl of Gloucester edition Edmund emendation Enter Edgar Enter the Earl Exeunt Exit eyes father fiend Foakes Folio follow Fool France GENTLEMAN give Gloucester's Gonoril HalioQ and Weis Harsnet hath heart i'th Kent King Lear knave lady Lear's Leir letter line Q lord madam mean Muir nature night OED's first instance Oswald OXFORD conj performance play's poor printed production prose Q proverbial Dent Quarto Queen Cordelia reading recorded Regan reprinted retains Q's scene seems sense servants Shake Shakespeare sisters speak stage storm Stratford-upon-Avon suggests sword theatre theatrical thee THEOBALD thou Tom o'Bedlam Tragedies trumpet verse vols W. W. Greg Weis accept word ΙΟ
Beliebte Passagen
Seite 257 - I'll kneel down, And ask of thee forgiveness. So we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news ; and we'll talk with them too, Who loses, and who wins ; who's in, who's out ; And take...
Seite 121 - This is the excellent foppery of the world, that when we are sick in fortune — often the surfeit of our own behaviour — we make guilty of our disasters the sun, the moon and the stars : as if we were villains by necessity, fools by heavenly compulsion ; knaves, thieves and treachers, by spherical predominance ; drunkards, liars and adulterers, by an enforced obedience of planetary influence ; and all that we are evil in, by a divine thrusting on...
Seite 250 - And, to deal plainly, I fear I am not in my perfect mind. Methinks I should know you and know this man; Yet I am doubtful; for I am mainly ignorant What place this is, and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia.
Seite 230 - tis, to cast one's eyes so low! The crows and choughs, that wing the midway air, Show scarce so gross as beetles : Half way down Hangs one that gathers samphire; dreadful trade! Methinks, he seems no bigger than his head: The fishermen, that walk upon the beach, Appear like mice; and yon...
Seite 105 - Why have my sisters husbands, if they say They love you all? Haply, when I shall wed, That lord whose hand must take my plight shall carry Half my love with him, half my care and duty. Sure I shall never marry like my sisters, To love my father all.
Seite 176 - Stain my man's cheeks! — No, you unnatural hags, I will have such revenges on you both, That all the world shall — I will do such things, — What they are, yet I know not ; but they shall be The terrors of the earth. You think, I'll weep; No, I'll not weep: — I have full cause of weeping ; but this heart Shall break into a hundred thousand flaws, Or ere I'll weep: — O, fool, I shall go mad!
Seite 223 - Not to a rage : patience and sorrow strove Who should express her goodliest. You have seen Sunshine and rain at once...
Seite 139 - Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live And be a thwart disnatured torment to her...
Seite 123 - A credulous father, and a brother noble, Whose nature is so far from doing harms, That he suspects none ; on whose foolish honesty My practices ride easy!
Verweise auf dieses Buch
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