Man's Lot: A TrilogyReader's Digest Press, 1978 - 363 Seiten I 3 afsnit afbildes fotografier og tekst tematisk: Livet under ekstremt fattige forhold i tre byer i Indien, men med en livskærlighed, som ikke kan fraskrives befolkningen. Den anden dimension er tiden - som den afspejles i landskabernes uendelighed, i kunsten og dens udvikling. Sidste del omhandler menneskets grundvilkår (under Gud) med Jobs spørgsmål: Hvad er et menneske? |
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Seite 81
... central in Victor Hugo and Charles Dickens no less than in Dostoevsky and Tolstoy . In the theater Bertolt Brecht , in the 1920s , made preposterous claims about his own originality , as if previous playwrights had merely offered their ...
... central in Victor Hugo and Charles Dickens no less than in Dostoevsky and Tolstoy . In the theater Bertolt Brecht , in the 1920s , made preposterous claims about his own originality , as if previous playwrights had merely offered their ...
Seite 83
... central theme are not contrived . They spring from a profound need and are anything but random . When they are considered chronologically , we begin to understand Rilke's development as a poet and a human being . And his best poems ...
... central theme are not contrived . They spring from a profound need and are anything but random . When they are considered chronologically , we begin to understand Rilke's development as a poet and a human being . And his best poems ...
Seite 84
... central theme . " Orpheus . Eurydice . Hermes " is a very much longer poem , but no less beautiful than " The Panther " ; and it deals with the same alternative . The great poet , the unequaled master of the sweet song , descends to the ...
... central theme . " Orpheus . Eurydice . Hermes " is a very much longer poem , but no less beautiful than " The Panther " ; and it deals with the same alternative . The great poet , the unequaled master of the sweet song , descends to the ...
Inhalt
LIFE AT THE LIMITS | 9 |
NOTES ON THE COLOR PHOTOGRAPHS | 16 |
PROLOGUE K | 65 |
Urheberrecht | |
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