Man's Lot: A TrilogyReader's Digest Press, 1978 - 363 Seiten I 3 afsnit afbildes fotografier og tekst tematisk: Livet under ekstremt fattige forhold i tre byer i Indien, men med en livskærlighed, som ikke kan fraskrives befolkningen. Den anden dimension er tiden - som den afspejles i landskabernes uendelighed, i kunsten og dens udvikling. Sidste del omhandler menneskets grundvilkår (under Gud) med Jobs spørgsmål: Hvad er et menneske? |
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Seite 59
... face , and three major paintings which he dated 1493 ( now in the Louvre ) , 1498 ( now in the Prado ) , and 1500 ( in Munich ) . But once he was thirty he ceased painting self - portraits . No artist before Rembrandt explored time's ...
... face , and three major paintings which he dated 1493 ( now in the Louvre ) , 1498 ( now in the Prado ) , and 1500 ( in Munich ) . But once he was thirty he ceased painting self - portraits . No artist before Rembrandt explored time's ...
Seite 61
... face which after all are not simply stone - hard , inflexible , smooth . A face and body are never finished while they are alive . That is why Michelangelo's un- finished sculptures are more alive than those he finished . Look at two ...
... face which after all are not simply stone - hard , inflexible , smooth . A face and body are never finished while they are alive . That is why Michelangelo's un- finished sculptures are more alive than those he finished . Look at two ...
Seite 122
... face than Rembrandt's . What sense does it make to suppose that he would rather have painted men and women who had money enough to pay for their portraits or models whom he could not afford ? The evidence is abundant that his face was ...
... face than Rembrandt's . What sense does it make to suppose that he would rather have painted men and women who had money enough to pay for their portraits or models whom he could not afford ? The evidence is abundant that his face was ...
Inhalt
LIFE AT THE LIMITS | 9 |
NOTES ON THE COLOR PHOTOGRAPHS | 16 |
PROLOGUE K | 65 |
Urheberrecht | |
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