Man's Lot: A TrilogyReader's Digest Press, 1978 - 363 Seiten I 3 afsnit afbildes fotografier og tekst tematisk: Livet under ekstremt fattige forhold i tre byer i Indien, men med en livskærlighed, som ikke kan fraskrives befolkningen. Den anden dimension er tiden - som den afspejles i landskabernes uendelighed, i kunsten og dens udvikling. Sidste del omhandler menneskets grundvilkår (under Gud) med Jobs spørgsmål: Hvad er et menneske? |
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Seite 113
... photographs by being art , and many people still thought of photographs as mere snapshots . It was often said that the arrival of photography had led painters to forsake the imitation of nature , but since World War II a number of ...
... photographs by being art , and many people still thought of photographs as mere snapshots . It was often said that the arrival of photography had led painters to forsake the imitation of nature , but since World War II a number of ...
Seite 114
... photographic explorations of this theme . In You Have Seen Their Faces ( 1937 ) Margaret Bourke - White presented a series of photographs she had taken of poor people , black and white , in the American South , and Erskine Caldwell ...
... photographic explorations of this theme . In You Have Seen Their Faces ( 1937 ) Margaret Bourke - White presented a series of photographs she had taken of poor people , black and white , in the American South , and Erskine Caldwell ...
Seite 120
A Trilogy. EPILOGUE : PHOTOGRAPHS 39 Photography can falsify ; it can be an art . Instead of showing what the inartistic see , it can communicate a distinctive vision . That black - and - white photographs misrepresent common - sense ...
A Trilogy. EPILOGUE : PHOTOGRAPHS 39 Photography can falsify ; it can be an art . Instead of showing what the inartistic see , it can communicate a distinctive vision . That black - and - white photographs misrepresent common - sense ...
Inhalt
LIFE AT THE LIMITS | 9 |
NOTES ON THE COLOR PHOTOGRAPHS | 16 |
PROLOGUE K | 65 |
Urheberrecht | |
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