Beyond Tragedy: Structure and Experience in Shakespeare's RomancesUniversity Press of Kentucky, 21.10.2021 - 160 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy." The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life, characters can experience a second time of joy and peace, and the audience's conventional expectations about reality and literature are challenged and enlarged. In the late tragedies of King Lear and Antony and Cleopatra, Uphaus finds the tragic structure augmented by elements that will later contribute to the form of the romances. Turning then to the romances themselves, he sees these plays as forming a profession in which Pericles is a brilliant outline of the conventions of romance and Cymbeline is romance taken to its dramatic limits, in fact to the point of parody. Through his fresh and provocative readings of the plays we experience anew the delight of Shakespearean romance and glimpse the world of renewal at its heart. |
Im Buch
Ergebnisse 1-5 von 60
... tragic pattern of life is the realization and exhaustion of that potential. Maud Bodkin describes this pattern quite precisely when she argues that “the archetypal pattern corresponding to tragedy may be said to be a certain ...
... tragic protagonist, such as King Lear, dies into life (“we came crying hither”), even as he lives into death. The tragic conclusion of King Lear demonstrates that the meaning of the play and of human life is ultimately defined by the ...
... tragic protagonists are irreversible; we see in tragedy Robert Heilman has remarked, “the inevitability of the avoidable.” Shakespeare's tragic protagonists are trapped within time, and thus, to use Northrop Frye's phrase, they become ...
... tragic sense of time. Instead of treating time as leading always and only toward death, or as irreversible, the romances continually, and often abruptly, depend on versions of reversible time, where the ideas of cause and effect ...
... tragic significance, but proceeds beyond the threat of tragedy to a concluding hierophany at the temple of Diana. Cymbeline and The Winter's Tale also begin with kinship disruptions of enormous tragic potential—the separation of ...
Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |