Handbook to the Antiquities in the British Museum: Being a Description of the Remains of Greek, Assyrian, Egyptian, and Etruscan Art Preserved ThereMurray, 1851 - 472 Seiten |
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Seite iv
... described , together with the exquisite remains of Greek art in the Bronze and Vase Rooms : the only collections omitted are those known by the names of British or Anglo - Roman Anti- quities , together with the ancient Coins preserved ...
... described , together with the exquisite remains of Greek art in the Bronze and Vase Rooms : the only collections omitted are those known by the names of British or Anglo - Roman Anti- quities , together with the ancient Coins preserved ...
Seite 7
... described , it may be called the Roman Period - a nomenclature which will serve to show that , though the sculptures and other monuments were often the work- manship of Greek artists , yet that they were due to Roman influ- ence , and ...
... described , it may be called the Roman Period - a nomenclature which will serve to show that , though the sculptures and other monuments were often the work- manship of Greek artists , yet that they were due to Roman influ- ence , and ...
Seite 13
... described in different places in Herodotus . ' Originally gilded bronze was attached to the marble , the holes which still remain enabling us to determine how and where it was placed . The hair also has been partly composed of wire ...
... described in different places in Herodotus . ' Originally gilded bronze was attached to the marble , the holes which still remain enabling us to determine how and where it was placed . The hair also has been partly composed of wire ...
Seite 15
... described by Pausanias ) , or , as on these marbles , in human forms from the head to the loins , with the body of a horse , its four legs and tail . This combat was a favourite subject in decorations of ancient works of art . Thus it ...
... described by Pausanias ) , or , as on these marbles , in human forms from the head to the loins , with the body of a horse , its four legs and tail . This combat was a favourite subject in decorations of ancient works of art . Thus it ...
Seite 30
... described , there are some other fragments from the same Temple , which are preserved in the Phigaleian Room : of these the three most important , Nos . 28 , 29 , 30 , are portions of the Metopes from the portico of the Pronaos , which ...
... described , there are some other fragments from the same Temple , which are preserved in the Phigaleian Room : of these the three most important , Nos . 28 , 29 , 30 , are portions of the Metopes from the portico of the Pronaos , which ...
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Acropolis altar Amazon ancient animals Apollo appears arranged artists Athenian Athens bas-relief bearing belonged body bronze bust called Carrey's drawing casts Centaur character chariot collection colour columns combat containing decorated Deities described Dionysus Divinities drapery Egyptian Elgin Room Engr executed Fcap feet female figure flourish fragment frieze front Gavin Hamilton Goddess Greek ground hair head helmet Heracles Hieroglyphics holding horses Hygieia Ibid inscribed inscription King Lapith left hand lion Lycian male figure Metopes monument mummy Museum Marbles originally ornament Osiris painted Parthenon pediment period Persian PHEIDIAS placed portion Post 8vo Praxiteles preserved probably Rameses Rameses II relief remains remarkable repre representation represented resemblance right hand Roman sarcophagus satyr scene sculptures seated Second Edition sepulchral shield Sicyon side Sir Charles Fellows slab specimens standing statuary statue stele style tablet Temple Theseus tomb vases Victory Vols walls warrior Woodcuts workmanship Xanthus Zeus
Beliebte Passagen
Seite 370 - And forty days were fulfilled for him ; for so are fulfilled the days of those which are embalmed : and the Egyptians mourned for him threescore and ten days.
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Seite 116 - ... then, let the divinest of the muses, let Astronomy approach, and take him by the hand ; let her ' Come, but keep her wonted state, With even step and musing gait, And looks commercing with the skies, Her rapt soul sitting in her eyes.
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Seite 5 - Notwithstanding with nature it cometh sometimes to pass as with art. Let Phidias have rude and obstinate stuff to carve, though his art do that it should, his work will lack that beauty which otherwise in fitter matter it might have had.
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Seite 12 - ARCHITECTURE. Being a Concise and Popular Account of the Different Styles prevailing in all Ages and Countries By JAKES FERGUSSON.