The Dinner Party: From Creation to PreservationMerrell, 2007 - 308 Seiten "Judy Chicago's internationally acclaimed installation The Dinner Party is a monumental work of art conceived as a symbolic history of women in Western civilization. Strategically countering the traditional erasure of women's achievements, this epic work honors 1038 iconic, mythical, archetypal, and historical women. This, the most definitive book to be published on Chicago's masterwork, reveals the visual and intellectual scope of the installation more fully than ever before, supported by new photography, documentary images, and the artist's expanded research into the history of the women represented. Chicago begins by discussing the creative genesis of The Dinner Party, the dynamism of her collaborative approach to art-making, and the technical processes involved. Mirroring the structure of the installation, the book then divides into three beautifully illustrated "wings," or sections, covering from prehistory to the twentieth century. These explore the remarkable lives of the thirty-nine women symbolically represented as "guests of honor" at The Dinner Party, and of the 999 other women honored in the work. To conclude, Chicago reflects on the work's early--often hostile--reception in the art world and the political arena, as well as the subsequent, decades-long struggle for its preservation and permanent exhibition. At the heart of The Dinner Party is the belief that, by understanding the legacy of women's achievements, women's perceptions of themselves can be transformed. This definitive accompaniment to Chicago's installation continues its purpose and introduces the work to a new generation interested in the relationship between art, culture, and gender politics." -- Publisher's description |
Im Buch
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Seite 20
... painter whose patron was Marie Antoinette , the Queen of France ( and it is difficult to imagine a more powerful ... painting in order to reassess and reinvigorate his art - making . Moreover , they were collaborators from the time ...
... painter whose patron was Marie Antoinette , the Queen of France ( and it is difficult to imagine a more powerful ... painting in order to reassess and reinvigorate his art - making . Moreover , they were collaborators from the time ...
Seite 156
... painter , Gian Paolo Zappi of Imola , who gave up his career to assist Fontana in her work . The first woman to portray male and female nudes , she usually signed and dated her painting ( something women did not always do ) . Her work ...
... painter , Gian Paolo Zappi of Imola , who gave up his career to assist Fontana in her work . The first woman to portray male and female nudes , she usually signed and dated her painting ( something women did not always do ) . Her work ...
Seite 298
... painting typical of her work . She was one of the first women to achieve an international reputation as a major artist . ( 713-1839 Sarah Siddons Actress Elisabetta Sirani Luiza Todi Painter Singer Levina Teerling Flanders Painter ...
... painting typical of her work . She was one of the first women to achieve an international reputation as a major artist . ( 713-1839 Sarah Siddons Actress Elisabetta Sirani Luiza Todi Painter Singer Levina Teerling Flanders Painter ...
Inhalt
INTRODUCTION | 7 |
Welcome | 25 |
CONCLUSION | 235 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
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