Thou haft by moon-light at her window fung, With bracelets of thy hair, rings, gawds, conceits, I beg the ancient privilege of Athens, The. What fay you, Hermia? be advis'd, fair maid : To you your father fhould be as a God; One that compos'd your beauties; yea, and one By him imprinted, and within his power Her. So is Lyfander. The. In himself he is: But in this kind, wanting your father's voice,. Her. I would, my father look'd but with my eyes. In fuch a prefence here, to plead my thoughts: If I refufe to wed Demetrius. The. Either to die the death[2], or to abjure For ever the fociety of men. Therefore, fair Hermia, queftion your defires, [1] By a law of Solon, parents had an abfolute power of life and death over their children. So it fuited the poet's purpofe well enough to fuppofe the Athenians had it before. Or perhaps he neither thought nor knew any thing of the matter. WARB. [2] Shakespeare employs this fcriptural expreffion in King John; and I meet with it again in the fecond part of the Downfall of Robert Earl of Huntingdon, fáo. STEEV. Know of your youth, examine well your blood, For aye to be in fhady cloisfter mew'd, Chanting faint hymns to the cold, fruitless moon? Her. So will I grow, fo live, fo die, my lord, Unto his lordship, to whofe unwifh'd yoke My foul confents not to give fovereignty. The. Take time to paufe: and, by the next new moon, (The fealing-day betwixt my love and me, For everlafting bond of fellowship) Upon that day either prepare to die, For aye, aufterity and fingle life. Dem. Relent, fweet Hermia ;-and, Lyfander, yield Thy crazed title to my certain right. Lyf. You have her father's love, Demetrius; Let me have Hermia's: do you marry him. Ege. Scornful Lyfander! true, he hath my love; And what is mine, my love shall render him : And the is mine; and all my right of her I do eftate unto Demetrius. Lyf. I am, my lord, as well deriv'd as he, And, which is more than all these boafts can be, Why fhould not I then profecute my right? And won her foul; and fhe, fweet lady, dotes, Upon this spotted and inconftant man.[3] [3] As 'fpotlefs' is innocent, fo fpotted' is wicked. JOHNS. The. I muft confefs that I have heard fo much, And with Demetrius thought to have spoke thereof;; But, being over-full of felf-affairs, My mind did lofe it. But, Demetrius, come; I muft employ you in fome bufinefs [Exe. THES. HIP. EGEUS, DEM. and train... Lyf. How now, my love? Why is your cheek fo pale ? How chance the rofes there do fade fo faft? Her. Belike for want of rain; which I could well Beteem[4] them from the tempeft of mine eyes. Lyf. Ah, me! for aught that ever I could read,, Could ever hear by tale or hiftory, The course of true love never did run fmooth. Her. O crofs! too high to be enthrall'd to low! Swift as a fhadow, fhort as any dream; [4] Give them, beftow upon them. The word is used by Spenfer. JOHN. [6] 'Collied,' i. e. black, fmutted with coal, a word still used in the midland counties. STEEV. [5] Though the word 'fpleen' be here employed oddly enough, yet I believe it right. Shakespeare, always hurried on by the grandeur and multitude of his ideas, affumes every now and then an uncommon licenfe iu. the use of his words. Particularly in complex moral modes it is ufual with him to employ one, only to exprefs a very few ideas of that number of which it is compofed. Thus wanting here to exprefs the ideas-of a fud And ere a man hath power to fay, Behold! Her. If then true lovers have been ever crofs'd, Then let us teach our trial patience; As due to love, as thoughts and dreams, and fighs, Lyf. A good perfuafion;-therefore hear me, Hermia. I have a widow aunt, a dowager Of great revenue, and the hath no child : There, gentle Hermia, may I marry thee; Her. My good Lyfander! I fwear to thee, by Cupid's ftrongest bow ;[7] By that which knitteth fouls, and profpers loves; Lys. Keep promife, love :-Look, here comes Helena. den, or-in a trice, he ufes the word 'fpleen'; which, partially confidered, fignifying a hafty, fudden fit, is enough for him, and he never troubles himfelf about the further or fuller fignification of the word. Here, he uses the word 'fpleen' for a fudden hafty fit; fo juft the contrary, in the Two Gentlemen of Verona, he uses 'fudden' for 'fpleenatic-fudden quips.' And it must be owned, this fort of converfation adds a force to the diction. WARB. [7] Lyfander does but juft propofe her running away from her father at midnight, and straight she is at her oaths that the will meet him at the place of rendezvous. Not one doubt or hesitation, not one condition of affurance for Lyfander's conftancy. Either the was naufeoufly coming; or the had before jilted him; and he could not believe her without a thousand oaths. WARB. Enter HELENA. Her. God fpeed fair Helena! Whither away? Your eyes are lode-ftars ;[8] and your tongue's fweet air Her. I frown upon him, yet he loves me ftill. Her. I give him curfes, yet he gives me love. Her. Take comfort; he no more fhall fee my face; O then, what graces in my love do dwell, That he hath turn'd a heaven unto a hell! Lyf. Helen, to you our minds we will unfold :: Decking with liquid pearl the bladed grafs, [8] This was a compliment not unfrequent among the old poets. The lode-ftar is the leading or guiding ftar, that is, the pole-ttar. The magnet is, for the fame reaton, called the lode-ftone, either because it leads iron, or because it guides the failor. Davies calls Elizabeth, lode-ftone to hearts, and lode-ftone to all eyes. JOHNS. [9]. Perhaps every reader may not difcover the propriety of thefe lines. Hermia is willing to comfort Helena, and to avoid all appearance of triumph over her. She therefore bids her not to confider the power of pleafing as an advantage to be much envied or much defired, fince Hermia, whom the confiders as poffeffing it in the fupreme degree, has found no other effect of it than the lofs of happiness. JOHNS. |