Laura: Uncovering Gender and Genre in Wyatt, Donne and MarvellDuke University Press, 15.12.1994 - 345 Seiten How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally. |
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... Finally , they can give up on the love poetry mythos altogether , as the current dearth of college courses and books on the Renaissance lyric implies . Laura assumes that a woman is sometimes the " subject of conscious- ness " in ...
... Finally , they can give up on the love poetry mythos altogether , as the current dearth of college courses and books on the Renaissance lyric implies . Laura assumes that a woman is sometimes the " subject of conscious- ness " in ...
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... finally " unrepresentable . " In Fumerton's terms , the poet chooses to frame that incommensurability in the image of Stella . It's a woman who suggests the excessive heart and who therefore knows that language cannot express what or ...
... finally " unrepresentable . " In Fumerton's terms , the poet chooses to frame that incommensurability in the image of Stella . It's a woman who suggests the excessive heart and who therefore knows that language cannot express what or ...
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... Finally , in terms of genre , when it asks " Am I that poem ? " it follows James Baumlin ( when he paraphrases Hayden White ) to conclude that there is no simple resolution to genre concepts and that discourse involves " a dynamic ...
... Finally , in terms of genre , when it asks " Am I that poem ? " it follows James Baumlin ( when he paraphrases Hayden White ) to conclude that there is no simple resolution to genre concepts and that discourse involves " a dynamic ...
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... Finally , in the three most anthologized Wyatt poems , " They flee from me , " " The long love , " and " Whoso list to hunt , " poems com- pelled by Laura - Eve , Laura - Daphne , and Laura - Mercury respectively , he is so absorbed ...
... Finally , in the three most anthologized Wyatt poems , " They flee from me , " " The long love , " and " Whoso list to hunt , " poems com- pelled by Laura - Eve , Laura - Daphne , and Laura - Mercury respectively , he is so absorbed ...
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Inhalt
Laura as Eve to Petrarchs Adam | 41 |
LIKE A MAN WHO THINKS AND WEEPS AND WRITES | 61 |
Wyatts Revenge in the Lyrics and Sustenance in the Psalms | 93 |
Telling Wyatts Feelings | 123 |
Defections from Petrarchan and Spenserian Poetics | 149 |
Returning Donnes Gifts | 180 |
Contracting and Abstracting the You in Donnes A Valediction of My Name in the Window and Elegy Change | 201 |
Appropriations of Female Power in Damon the Mower and The Gallery | 227 |
Marvells Nymph and the Revenge of Silence | 255 |
After the Garden in Appleton House | 278 |
MUSING AFTERWARD | 304 |
NOTES | 319 |
INDEX | 339 |
Andere Ausgaben - Alle anzeigen
Laura: Uncovering Gender and Genre in Wyatt, Donne and Marvell Barbara L. Estrin Eingeschränkte Leseprobe - 1994 |
Laura: Uncovering Gender and Genre in Wyatt, Donne and Marvell Barbara L. Estrin Keine Leseprobe verfügbar - 1994 |
Häufige Begriffe und Wortgruppen
Actaeon Adam Adam's already anamorphic anticipates Apollo Appleton House argues Battus becomes begins body Bordone Bordone painting Broken Heart calls Change Clora Coy Mistress critical Damon Daphne David death deer defines denial denies desire Diana discourse Donne Donne's dream dyad emerges eternity eyes fawn feeling female flee frame Funerall future Gallery gaze gender Genesis genre gesture idealized imagined imbricated imitates initial inspiration invents Jean-François Lyotard Jeat Ring John Donne Juliana Kazimir Malevich lady lady's Laura Laura-Daphne Laura-Eve Laura-Mercury laurel list to hunt lover Lyotard lyric male Marvell Marvell's metaphor mirror Monique Wittig mower myth Nancy Vickers narrator nymph opening original Ovid Petrarch Petrarchan Petrarchan poem poet poet's poetic poetry polyptych present Psalms reading Renaissance revenge Rime sparse 23 sequence sexual sighs song speaker speaks stanza story sublimation suggests tion turns vision Weeping Whoso list woman women words writes Wyatt
Beliebte Passagen
Seite 335 - Am I That Name?" Feminism and the Category of 'Women...