Laura: Uncovering Gender and Genre in Wyatt, Donne and MarvellDuke University Press, 15.12.1994 - 345 Seiten How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally. |
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Seite 13
... heart , she warns : " Di cio non far parola [ Make no word of this ] " ( l.74 ) . Like the Ovidian Mercury , she tests Petrarch - Battus , assuming " in altro abito sola [ in another garment ] " ( l./s ) the role of audience for the ...
... heart , she warns : " Di cio non far parola [ Make no word of this ] " ( l.74 ) . Like the Ovidian Mercury , she tests Petrarch - Battus , assuming " in altro abito sola [ in another garment ] " ( l./s ) the role of audience for the ...
Seite 14
... heart " as if for the first time — Laura- Mercury's original objections . The three Lauras Petrarch uncovers make their way into the poetry of Wyatt , Donne , and Marvell as well . For the poet of the English Renais- sance , " the past ...
... heart " as if for the first time — Laura- Mercury's original objections . The three Lauras Petrarch uncovers make their way into the poetry of Wyatt , Donne , and Marvell as well . For the poet of the English Renais- sance , " the past ...
Seite 26
... heart of the self is the very condition of that self's possibility " ( " Imitation and Gender Insubordination , " p . 27 ) , she reasons in terms of life situations what the literary critic might theorize about the poem : the imagined ...
... heart of the self is the very condition of that self's possibility " ( " Imitation and Gender Insubordination , " p . 27 ) , she reasons in terms of life situations what the literary critic might theorize about the poem : the imagined ...
Seite 27
... said my Muse to me , ' look in thy heart and write . ' " 58 The gender transformations in this sonnet are multiple , as Astrophil passively waits to be impregnated by the wit of other poets and then appears " great with 27 INTRODUCTION.
... said my Muse to me , ' look in thy heart and write . ' " 58 The gender transformations in this sonnet are multiple , as Astrophil passively waits to be impregnated by the wit of other poets and then appears " great with 27 INTRODUCTION.
Seite 28
... heart or is his heart an image of Stella's self ? To anatomize the heart and still live is to use the mirror that duplicates rather than , as Laura - Mercury does , the knife that penetrates . To look inward , therefore , is to regard ...
... heart or is his heart an image of Stella's self ? To anatomize the heart and still live is to use the mirror that duplicates rather than , as Laura - Mercury does , the knife that penetrates . To look inward , therefore , is to regard ...
Inhalt
Laura as Eve to Petrarchs Adam | 41 |
LIKE A MAN WHO THINKS AND WEEPS AND WRITES | 61 |
Wyatts Revenge in the Lyrics and Sustenance in the Psalms | 93 |
Telling Wyatts Feelings | 123 |
Defections from Petrarchan and Spenserian Poetics | 149 |
Returning Donnes Gifts | 180 |
Contracting and Abstracting the You in Donnes A Valediction of My Name in the Window and Elegy Change | 201 |
Appropriations of Female Power in Damon the Mower and The Gallery | 227 |
Marvells Nymph and the Revenge of Silence | 255 |
After the Garden in Appleton House | 278 |
MUSING AFTERWARD | 304 |
NOTES | 319 |
INDEX | 339 |
Andere Ausgaben - Alle anzeigen
Laura: Uncovering Gender and Genre in Wyatt, Donne and Marvell Barbara L. Estrin Eingeschränkte Leseprobe - 1994 |
Laura: Uncovering Gender and Genre in Wyatt, Donne and Marvell Barbara L. Estrin Keine Leseprobe verfügbar - 1994 |
Häufige Begriffe und Wortgruppen
Actaeon Adam Adam's already anamorphic anticipates Apollo Appleton House argues Battus becomes begins body Bordone Bordone painting Broken Heart calls Change Clora Coy Mistress critical Damon Daphne David death deer defines denial denies desire Diana discourse Donne Donne's dream dyad emerges eternity eyes fawn feeling female flee frame Funerall future Gallery gaze gender Genesis genre gesture idealized imagined imbricated imitates initial inspiration invents Jean-François Lyotard Jeat Ring John Donne Juliana Kazimir Malevich lady lady's Laura Laura-Daphne Laura-Eve Laura-Mercury laurel list to hunt lover Lyotard lyric male Marvell Marvell's metaphor mirror Monique Wittig mower myth Nancy Vickers narrator nymph opening original Ovid Petrarch Petrarchan Petrarchan poem poet poet's poetic poetry polyptych present Psalms reading Renaissance revenge Rime sparse 23 sequence sexual sighs song speaker speaks stanza story sublimation suggests tion turns vision Weeping Whoso list woman women words writes Wyatt
Beliebte Passagen
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