Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554 Seiten |
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Seite xiii
... Measure for Measure - Cymbeline Merry Wives of Windsor - Troilus and Cressida • · 280 · 289 · 300 323 Histories : General View of the Historical Drama Coriolanus Julius.
... Measure for Measure - Cymbeline Merry Wives of Windsor - Troilus and Cressida • · 280 · 289 · 300 323 Histories : General View of the Historical Drama Coriolanus Julius.
Seite 19
... Measure for Measure , " - forms , as Tieck correctly observes , the transition from the learned imitations of the ancients to the proper national drama , notwithstanding that the latter is ridiculed and censured in Whetstone's ...
... Measure for Measure , " - forms , as Tieck correctly observes , the transition from the learned imitations of the ancients to the proper national drama , notwithstanding that the latter is ridiculed and censured in Whetstone's ...
Seite 20
... of players in the service of the Queen or wealthy nobles for the entertainment of Elizabeth . In order , therefore , in some measure to indicate the character of the period before Shakspeare's 20 SKETCH OF THE HISTORY OF THE.
... of players in the service of the Queen or wealthy nobles for the entertainment of Elizabeth . In order , therefore , in some measure to indicate the character of the period before Shakspeare's 20 SKETCH OF THE HISTORY OF THE.
Seite 21
And His Relation to Calderon and Goethe Hermann Ulrici. measure to indicate the character of the period before Shakspeare's arrival in London , ( 1586 , ) and particularly the form and sub- stance of the national drama at that date , I ...
And His Relation to Calderon and Goethe Hermann Ulrici. measure to indicate the character of the period before Shakspeare's arrival in London , ( 1586 , ) and particularly the form and sub- stance of the national drama at that date , I ...
Seite 38
... measure himself with Mar- lowe , whose style , however , he laboured to imitate . These three poets , in short , stand nearly midway between Kyd and Lyly on the one hand , and Greene and Marlowe on the other ; while Nash , by his ...
... measure himself with Mar- lowe , whose style , however , he laboured to imitate . These three poets , in short , stand nearly midway between Kyd and Lyly on the one hand , and Greene and Marlowe on the other ; while Nash , by his ...
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Accordingly action allusions already appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently criticism Cymbeline death deed divine doubt Drake earthly English evil exhibited existence external fact Falstaff fancy favour feeling fundamental idea Gentlemen of Verona genuine Goethe Goethe's ground-idea Hamlet hand Henry the Sixth honour human humour influence inmost intrigue intrinsic Jonson Julius Cæsar justice King language Lastly latter Lear less Locrine lyrical Macbeth Malone Measure for Measure Merchant of Venice merely merry mind moral nature necessity ness nevertheless noble objective organic Othello outward passion personages piece play poem poet poetical poetry possess present Prince principle profound racter reflection Richard Romeo and Juliet scene Shak Shakspeare Shakspeare's shew sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic true truth unity view of things virtue weakness whole Winter's Tale youthful