Shakspeare's Dramatic Art: And His Relation to Calderon and GoetheChapman, 1846 - 554 Seiten |
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Seite 41
... subjective spirit and character of the acting personages , and consequently what takes place appears in the light of an event rather than of an action . This is the prov eudos , which in πρῶτον ψεῦδος , itself involves all the other ...
... subjective spirit and character of the acting personages , and consequently what takes place appears in the light of an event rather than of an action . This is the prov eudos , which in πρῶτον ψεῦδος , itself involves all the other ...
Seite 47
... subjective , and therewith the capricious also , which rejects both measure and restraint , are with him everywhere para- mount . Hence the monstrous and the unnatural in his characters and plots , where all is passion and emotion ...
... subjective , and therewith the capricious also , which rejects both measure and restraint , are with him everywhere para- mount . Hence the monstrous and the unnatural in his characters and plots , where all is passion and emotion ...
Seite 50
... subjectively capricious , so perfectly without adequate cause , that here again we miss the usual reaction which the outward world and the inward subjec- tivity exercise upon each other . On the other hand , the suffer- ings and the ...
... subjectively capricious , so perfectly without adequate cause , that here again we miss the usual reaction which the outward world and the inward subjec- tivity exercise upon each other . On the other hand , the suffer- ings and the ...
Seite 53
... subjective caprice , while the latter would reduce the artistic activity into an empty , untrue , and monstrous play of fancy . The old prejudice , which would look upon Shakspeare as a solitary point of light and splendour in a wide ...
... subjective caprice , while the latter would reduce the artistic activity into an empty , untrue , and monstrous play of fancy . The old prejudice , which would look upon Shakspeare as a solitary point of light and splendour in a wide ...
Seite 90
... personal cir- cumstances and subjective feelings . More important in this light is the collection of sonnets . They appeared , together with the " Lover's Complaint , " first of all in 1609 , in 90 THE LIFE AND TIMES OF SHAKSPEARE .
... personal cir- cumstances and subjective feelings . More important in this light is the collection of sonnets . They appeared , together with the " Lover's Complaint , " first of all in 1609 , in 90 THE LIFE AND TIMES OF SHAKSPEARE .
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Accordingly action allusions already appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently criticism Cymbeline death deed divine doubt Drake earthly English evil exhibited existence external fact Falstaff fancy favour feeling fundamental idea Gentlemen of Verona genuine Goethe Goethe's ground-idea Hamlet hand Henry the Sixth honour human humour influence inmost intrigue intrinsic Jonson Julius Cæsar justice King language Lastly latter Lear less Locrine lyrical Macbeth Malone Measure for Measure Merchant of Venice merely merry mind moral nature necessity ness nevertheless noble objective organic Othello outward passion personages piece play poem poet poetical poetry possess present Prince principle profound racter reflection Richard Romeo and Juliet scene Shak Shakspeare Shakspeare's shew sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic true truth unity view of things virtue weakness whole Winter's Tale youthful