Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 Seiten "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
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Seite 12
... speak of " social determinism . " We have traveled a long way from Titus Andronicus . If I had to propose a grouping of Shakespeare's tragedies , I would suggest three phases that recapitulate the sequence of Aeschylus , Sophocles , and ...
... speak of " social determinism . " We have traveled a long way from Titus Andronicus . If I had to propose a grouping of Shakespeare's tragedies , I would suggest three phases that recapitulate the sequence of Aeschylus , Sophocles , and ...
Seite 18
... speaking essentially as a body , the speaking part being varied propose their own punishment : By decimation , and a tithed death— If thy revenges hunger for that food Which Nature loathes take thou the destin'd tenth , And by the ...
... speaking essentially as a body , the speaking part being varied propose their own punishment : By decimation , and a tithed death— If thy revenges hunger for that food Which Nature loathes take thou the destin'd tenth , And by the ...
Seite 21
... speak to th'yet unknowing world How these things came about . ( 379-81 ) " All this , " says Horatio , " can I truly deliver . " At this stage , he makes no mention of Hamlet's vote for Fortinbras . But the account that Horatio can ...
... speak to th'yet unknowing world How these things came about . ( 379-81 ) " All this , " says Horatio , " can I truly deliver . " At this stage , he makes no mention of Hamlet's vote for Fortinbras . But the account that Horatio can ...
Seite 22
... speak . And from his mouth whose voice will draw on more . But let this same be presently perform'd , Even while ... speaking through Lodovico , reasserts its power , and with it the power of reason . The broken communication between ...
... speak . And from his mouth whose voice will draw on more . But let this same be presently perform'd , Even while ... speaking through Lodovico , reasserts its power , and with it the power of reason . The broken communication between ...
Seite 23
... Speak what we feel , not what we ought to say . The oldest hath borne most ; we that are young Shall never see so much , nor live so long . The Quarto gives these lines to Albany . In the Folio , a virtually un- changed text assigns the ...
... Speak what we feel , not what we ought to say . The oldest hath borne most ; we that are young Shall never see so much , nor live so long . The Quarto gives these lines to Albany . In the Folio , a virtually un- changed text assigns the ...
Inhalt
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
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Häufige Begriffe und Wortgruppen
action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
Beliebte Passagen
Seite 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
Seite 150 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Seite 95 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Seite 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Seite 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Seite 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
Seite 48 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
Seite 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Seite 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.