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but when he does, he receives as much respect as the squire himself. Everything round one is unhurried, quiet, moss-grown, and orderly. Season follows in the track of season, and one year can hardly be distinguished from another. Time should be measured here by the silent dial, rather than by the ticking clock, or by the chimes of the church. Dreamthorp can boast of a respectable antiquity, and in it the trade of the builder is unknown. Ever since I remember, not a single stone has been laid on the top of another. The castle, inhabited now by jackdaws and starlings, is old ; the chapel which adjoins it is older still; and the lake behind both, and in which their shadows sleep, is, I suppose, as old as Adam. A fountain in the market-place, all mouths and faces and curious arabesques, -as dry, however, as the castle moat,—has a tradition connected with it; and a great noble riding through the street one day several hundred years ago, was shot from a window by a man whom he had injured. The death of this noble is the chief link which connects the place with authentic history. The houses are old, and remote dates may yet be deciphered on the stones above the doors; the apple-trees are mossed and ancient; countless generations of sparrows have bred in the thatched roofs, and thereon have chirped out their lives. In every room of the place men have been born, men have died. On Dreamthorp centuries have fallen, and have left no more trace than have last winter's snowflakes. This commonplace sequence and flowing on of life is immeasurably affecting. That winter morning when Charles lost his head in front of the banqueting-hall of his own palace, the icicles hung from the eaves of the houses here, and the clown kicked the snowballs from his clouted shoon, and thought but of his supper when, at three o'clock, the red sun set in the purple mist. On that Sunday in June while Waterloo was going on, the gossips, after morning service, stood on the country roads discussing agricultural prospects, without the slightest suspicion that the day passing over their heads would be a famous one in the calendar. Battles have been fought, kings have died, history has transacted itself; but, all unheeding and untouched, Dreamthorp has watched apple-trees redden, and wheat ripen, and smoked its pipe, and quaffed its mug of beer, and rejoiced over its newborn children, and with proper solemnity carried its dead to the churchyard. As I gaze on the village of my adoption, I think of many things very far removed, and seem to get closer to them. The last setting sun that Shakspeare saw reddened the windows here, and struck warmly on the faces of the hinds coming home from the fields. The mighty storm that raged while Cromwell lay a-dying made all the oak-woods groan round about here, and tore the thatch from the very roofs I gaze upon. When I think of this, I can almost, so to speak, lay my

hand on Shakspeare and on Cromwell. These poor walls

after year.

were contemporaries of both, and I find something affecting in the thought. The mere soil is, of course, far older than either, but it does not touch one in the same way. A wall is the creation of a human hand, the soil is not. This place suits my whim, and I like it better year

As with everything else, since I began to love it I find it gradually growing beautiful. Dreamthorp—a castle, a chapel, a lake, a straggling strip of gray houses, with a blue film of smoke over all—lies embosomed in emerald. Summer, with its daisies, runs up to every cottage door. From the little height where I am now sitting, I see it beneath me. Nothing could be more peaceful. The wind and the birds fly over it. A passing sunbeam makes brilliant a white gable-end, and brings out the colours of the blossomed apple-tree beyond, and disappears. I see figures in the street, but hear them not. The hands on the church clock seem always pointing to one hour. Time has fallen asleep in the afternoon sunshine. I make a frame of my fingers, and look at my picture. On the walls of the next Academy's Exhibition will hang nothing half so beautiful !

My village is, I think, a special favourite of summer's. Every window-sill in it she touches with colour and fragrance ; everywhere she wakens the drowsy murmurs of the hives ; every place she scents with apple-blossom. Traces of her hand are to be seen on the weir beside the ruined mill; and even the canal, along which the barges come and go, has a and goes.

great white water-lily asleep on its olive-coloured face. Never was velvet on a monarch's robe so gorgeous as the 'green mosses that be-ruff the roofs of farm and cottage, when the sunbeam slants on them

The old road out towards the common, and the hoary dikes that might have been built in the reign of Alfred, have not been forgotten by the generous adorning season ; for every fissure has its mossy cushion, and the old blocks themselves are washed by the loveliest gray - green lichens in the world, and the large loose stones lying on the ground have gathered to themselves the peacefulest mossy coverings. Some of these have not been disturbed for a century. Summer has adorned my village as gaily, and taken as much pleasure in the task, as the people of old, when Elizabeth was queen, took in the adornment of the May-pole against a summer festival. And, just think, not only Dreamthorp, but every English village she has made beautiful after one fashion or another--making vivid green the hill slope on which straggling white Welsh hamlets hang right opposite the sea ; drowning in apple-blossom the red Sussex ones in the fat valley. And think, once more, every spear of grass in England she has touched with a livelier green ; the crest of every bird she has burnished ; every old wall between the four seas has received her mossy and licheny attentions; every nook in every forest she has sown with pale flowers, every marsh she has dashed with the fires of the marigold. And in the wonderful night the moon knows, she hangs—the planet on which so many millions of us fight, and sin, and agonise, and die -- a sphere of glow-worm light.

Having discoursed so long about Dreamthorp, it is but fair that I should now introduce you to her lions. These are, for the most part, of a commonplace kind; and I am afraid that, if you wish to find romance in them, you must bring it with you. I might speak of the old church-tower, or of the church-yard beneath it, in which the village holds its dead, each restingplace marked by a simple stone, on which is inscribed the name and age of the sleeper, and a Scripture text beneath, in which live our hopes of immortality. But, on the whole, perhaps it will be better to begin with the canal, which wears on its olive-coloured face the big white water-lily already chronicled. Such a secluded place is Dreamthorp that the railway does not come near, and the canal is the only thing that connects it with the world. It stands high, and from it the undulating country may be seen stretching away into the gray of distance, with hills and woods, and stains of smoke which mark the sites of villages. Every now and then a horse comes staggering along the towing-path, trailing a sleepy barge filled with merchandise. A quiet, indolent life these bargemen lead in the summer days. One lies stretched at his length on the sun-heated plank; his comrade sits smoking in the little dog-hutch, which I suppose he calls a cabin. Silently they come and go; silently

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