Charles W. Chesnutt: Essays and Speeches

Cover
Stanford University Press, 1999 - 596 Seiten
Over the past decade, increasing attention has been paid to the life and work of Charles W. Chesnutt (1858-1932), considered by many the major African-American fiction writer before the Harlem Renaissance by virtue of the three novels and two collections of short stories he published between 1899 and 1905.

Less familiar are the essays he wrote for American periodicals from 1899 through 1931, the majority of which are analyses of and protests against white racism. Collected as well in this volume are the addresses he made to both white and black audiences from 1881 through 1931, on topics ranging from race prejudice to the life and literary career of Alexandre Dumas.

The 77 works included in this volume comprise all of Chesnutt’s known works of nonfiction, 38 of which are reprinted here for the first time. They reveal an ardent and often outraged spokesman for the African American whose militancy increased to such a degree that, by 1903, he had more in common with W. E. B. Du Bois than Booker T. Washington. He was, however, a lifelong integrationist and even an advocate of "race amalgamation,” seeing interracial marriage as the ultimate means of solving "the Negro Problem,” as it was termed at the end of the century. That he championed the African American during the Jim Crow era while opposing Black Nationalism and other "race pride” movements attests to the way Chesnutt defined himself as a controversial figure, in his time and ours.

The essays and speeches in this volume are not, however, limited to polemical writings. An educator, attorney, and man of letters with wide-ranging interests, Chesnutt stands as a humanist addressing subjects of universal interest, including the novels of George Meredith, the accomplishments of Samuel Johnson, and the relationship between literature and life.

Andere Ausgaben - Alle anzeigen

Autoren-Profil (1999)

An African American born in Ohio, Charles Waddell Chesnutt grew up in North Carolina. At age 25, he returned to Cleveland to raise his family and practice legal stenography. Resisting the temptation to pass as a white man, he made the issue of race and the inequality of African Americans in the Reconstruction South the primary subject of his fiction, essays, and speeches throughout his life. His first story, "The Goophered Grapevine" (1887), was published in the Atlantic Monthly. His major story collections, The Conjure Woman (1899) and The Wife of his Youth and Other Stories of the Color Line (1899), are local-color stories rich in dialect. Uncle Julius, the former slave storyteller, is realistically presented as he tells his Northern white employer tales that show slaves using wit and intelligence to get the best of their masters. Chesnutt's later novels, The House Behind the Cedars (1900) and The Marrow of Tradition (1901), stories of passing and interracial relationships, speak more boldly and bitterly against the racial injustices of the South. They were not well received and, despite the more conciliatory tone of his last novel, The Colonel's Dream (1905), his popularity waned and he returned to his legal business. In 1928 the NAACP awarded Chesnutt the Spingarn Medal for distinguished service to the Negro race. Readers today are rediscovering the humor and subtle satire of Chesnutt's stories.

Bibliografische Informationen