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LEAR. How, how, Cordelia 6 ? mend your speech

a little, Lest it may mar your fortunes. Cor.

Good my lord, You have begot me, bred me, lov'd me: I Return those duties back as are right fit, Obey you, love you, and most honour you. Why have my sisters husbands, if they say, They love you, all ? Haply, when I shall wed', That lord, whose hand must take my plight, shall

Half my love with him, half my care, and duty:
Sure, I shall never marry


sisters, To love my father all ®.

LEAR. But goes this with thy heart' ?

6 How, how, Cordelia?] Thus the folio. The quartos read -Go to, go to.

STEEVENS. 7 - Haply, when I shall wed, &c.] So, in The Mirrour for Magistrates, 1587, Cordila savs :

Nature so doth bind and me compell
“ To love you as I ought, my father, well;
“ Yet shortly I may chance, if fortune will,
“ To find in heart to bear another more good will:

“ Thus much I said of nuptial loves that meant.” Steevens. See also the quotation from Camden's Remaines, in the Preliminary Remarks to this play. Malone.

8 To love my father all.] These words are restored from the first edition, without which the sense was not complete. Pope.

9 But goes this with thy heart?] Thus the quartos, and thus I have no doubt Shakspeare wrote, this kind of inversion occurring often in his plays, and in the contemporary writers. So, in King Henry VIN:

and make your house our tower.” Again, in The Merchant of Venice, vol. v. p. 68 :

That many may be meant

* By the fool multitude." The editor of the folio, not understanding this kind of phraseology, substituted the more common form—But goes thy heart with this ? as in the next line he reads, Ay, my good lord, instead of -Ay, good my lord, the reading of the quartos, and the constant language of Shakspeare. Malone.


Ay, good my lord. LEAR. So young, and so untender'? Cor. So young, my lord, and true. LEAR. Let it be so,—Thy truth then be thy

For, by the sacred radiance of the sun;
The mysteries of Hecate?, and the night;
By all the operations of the orbs,
From whom we do exist, and cease to be;
Here I disclaim all my paternal care,
Propinquity and property of blood,
And as a stranger to my heart and me
Hold thee, from this ", for ever. The barbarous

Or he that makes his generation* messes
To gorge his appetite, shall to my bosom
Be as well neighbour'd, pitied, and reliev'd,
As thou my sometime daughter.

Good my liege, -
LEAR. Peace, Kent !
Come not between the dragon and his wrath :
I lov'd her most', and thought to set my rest
On her kind nursery.--Hence, and avoid my


sight !

· So young, and so untender?] So, in Shakspeare's Venus and Adonis :

"Ah me, quoth Venus, young, and so unkind?" Malone. 2 The MYSTERIES of Hecate,] The quartos have mistress, the folio-miseries. The emendation was made by the editor of the second folio, who likewise substituted operations in the next line for operation, the reading of the original copies. MalONE.

3 Hold thee, from this,] i. e. from this time. STEVENS. 4 – generation -] i. e. his children. Malone.

5 I lov'd her most,] So, Holinshed : which daughters he greatly loved, but especially Cordeilla, the youngest, farre above the two elder.” MALONE.

[To Cordelia.] As Mr. Heath supposes, to Kent. For in the next words Lear sends for France and Burgundy to offer Cordelia without a dowry. Steevens.


So be my grave my peace, as here I give
Her father's heart from her !-Call France ;-Who

stirs ?
Call Burgundy.-Cornwall, and Albany,
With my two daughters' dowers digest the third :
Let pride, which she calls plainness, marry her.
I do invest you jointly with my power,
Pre-eminence, and all the large effects
That troop with majesty.–Ourself, by monthly

course, With reservation of an hundred knights, By you to be sustain'd, shall our abode Make with you by due turns. Only we stili retain? The name, and all the additions to a king ® ;

The sway,

Revenue, execution of the resto,
Beloved sons, be yours : which to confirm,
This coronet part between you. [Giving the Crown.

Royal Lear,
Whom I have ever honour'd as my king,
Lovd as my father, as my master follow'd,
As my great patron thought on in my prayers ', -

Mr. M. Mason observes, that Kent did not yet deserve such treatment from the King, as the only words he had uttered were “ Good my liege." REED.

Surely such quick transitions or inconsistencies, whichever they are called, are perfectly suited to Lear's character. I have no doubt that the direction now given is right. Kent has hitherto said nothing that could extort even from the cholerick king so harsh a sentence, having only interposed in the mildest manner. Afterwards indeed, when he remonstrates with more freedom, and calls Lear a madman, the King exclaims—" Out of my sight!"

MALONE. 7 - only we still retain -] Thus the quarto. Folio : we shall retain. Malone,

8 – all the additions to a king.) All the titles belonging to a king. See vol. viii. p. 313. Malone.

- execution of the rest.] The execution of the rest is, I suppose, all the other business

As my great patron thought on in my prayers,] An allusion


LEAR. The bow is bent and drawn, make from

the shaft. Kent. Let it fall rather, though the fork invade The region of my heart: be Kent unmannerly, When Lear is mad. What would'st thou do, old

man ? Think’st thou, that duty shall have dread to speak”, When power to flattery bows ? To plainness ho

nour's bound, When majesty stoops to folly. Reverse thy doom; And, in thy best consideration, check This hideous rashness: answer my life my judgment, Thy youngest daughter does not love thee least;

to the custom of clergymen praying for their patrons, in what is commonly called the bidding prayer. Henley. See also note to the epilogue to King Henry IV. Part II.

Reed. 2 Think'st thou, that duty shall have dread to speak, &c.] I have given this passage according to the old folio, from which the modern editions have silently departed, for the sake of better numbers, with a degree of insincerity, which, if not sometimes detected and censured, must impair the credit of ancient books. One of the editors, and perhaps only one, knew how much mischief may be done by such clandestine alterations. The quarto agrees with the folio, except that for reserve thy state, it gives, reverse thy doom, and has stoops, instead of falls to folly. The meaning of answer my life my judgment, is, Let my life be answerable for my judgment, or, I will stake my life on my opinion. The reading which, without any right, has possessed all the modern copies, is this :

to plainness honour
“ Is bound, when majesty to folly falls.
“ Reserve thy state ; with better judgment check
“This hideous rashness; with my life I answer,

“ Thy youngest daughter," &c. I am inclined to think that reverse thy doom was Shakspeare's first reading, as more apposite to the present occasion, and that he changed it afterwards to reserve thy state, which conduces more to the progress of the action, Johnson.

Reserve was formerly used for preserve. So, in our poet's 52d Sonnet :

Reserve them for my love, not for their rhymes." But I have followed the quartos. Malone.

Nor are those empty-hearted, whose low sound
Reverbs no hollowness.

Kent, on thy life, no more.
Kent. My life I never held but as a pawn
To wage against thine enemies * ; nor fear to lose it,
Thy safety being the motive.

Out of my sight! Kent. See better, Lear; and let me still remain The true blank of thine eye'.

LEAR. Now, by Apollo',

3 Reverbs - This is, perhaps, a word of the poet's own making, meaning the same as reverberates. STEEVENS.

a pawn To wAGE AGAINST thine enemies ;] i. e. I never regarded my life, as my own, but merely as a thing of which I had the possession, not the property ; and which was entrusted to me as a ! pawn or pledge, to be employed in waging war against your enemies.

To wage against is an expression used in a Letter from Guil. Webbe to Rob'. Wilmot, prefixed to Tancred and Gismund, 1592 : -you shall not be able to wage against me in the charges growing upon this action.” Steevens. "My life, &c." That is, I never considered my

life as of more value than that of the commonest of your subjects. A pawn, in chess, is a common man, in contradistinction to the knight; and Shakspeare has several allusions to this game, particularly in King John :

“ Who painfully with much expedient marchi,

“ Have brought a counter-check before your gates." Again, in King Henry V.: “ Therefore také heed how you impawn our person."

Henley. s The true Blank of thine eye.] The blank is the white or exact mark at which the arrow is shot. • See better,' says Kent, ‘and keep me always in your view. Johnson.

See vol. v. p. 522, n. S. Malone.

6 - by Apollo,-) Bladud, Lear's father, according to Geoffrey of Monmouth, attempting to fly, fell on the temple of Apollo, and was killed. This circumstance our author must have noticed, both in Holinshed's Chronicle and The Mirrour for Magistrates. Malone. Are we to understand, from this circumstance, that the son


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