Troilus and CressidaMethuen, 1982 - 337 Seiten At Troy during the Trojan War, Troilus and Cressida begin a love affair. Cressida is forced to leave Troy to join her father in the Greek camp. Meanwhile, the Greeks endeavour to lessen the pride of Achilles. The tone alternates between bawdy comedy and tragic gloom. Readers and theatre-goers have frequently found it difficult to understand how they are meant to respond to the characters. |
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Seite 39
... appears is roughly 9:10 ( 91 per cent ) , and in that play Romeo or Juliet are seen primarily as lovers , and have no other effectual function . In Antony , the proportions are much closer to those of Troilus ( 57 per cent and 58 per ...
... appears is roughly 9:10 ( 91 per cent ) , and in that play Romeo or Juliet are seen primarily as lovers , and have no other effectual function . In Antony , the proportions are much closer to those of Troilus ( 57 per cent and 58 per ...
Seite 83
... appears to abandon her script , and to speak more than is set down for her , that he finds himself forced to see her as not what she was , or as not what he had thought her . Cressida herself had tried to shun herself , during the ...
... appears to abandon her script , and to speak more than is set down for her , that he finds himself forced to see her as not what she was , or as not what he had thought her . Cressida herself had tried to shun herself , during the ...
Seite 132
... appears to carry with it implications of great strength . But the phrase here may perhaps be meant to stand for forehand sinew , i.e. the strongest mem- ber . 144. airy ] Walker ( NCS ) suggests 135 140 145 ' lofty ' and ' in everyone's ...
... appears to carry with it implications of great strength . But the phrase here may perhaps be meant to stand for forehand sinew , i.e. the strongest mem- ber . 144. airy ] Walker ( NCS ) suggests 135 140 145 ' lofty ' and ' in everyone's ...
Inhalt
INTRODUCTION | 1 |
d Homer | 33 |
TROILUS AND CRESSIDA | 95 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abbott Achilles action Æneas Agam Agamemnon Ajax allusion Antenor appears argument Aristotle arms Calchas Capell Caxton Chaucer compositor conj Cress Criseyde Deighton Diom Diomedes doth edited editors emendation Eneas Enter Exeunt Exit eyes fair fight fool give gloss Grecian Greek hand Hanmer hath Hect Hector Hecuba Helen hence honour Iliad imply Johnson judgement kiss look lord lovers Lydgate Malone Menelaus merely Metamorphoses nature Nest Nestor night Ovid Pand Pandarus Paris passage Patro Patroclus perhaps phrase play Polyxena Pope praise Priam pride Prologue prose Q,F subst Quarto reading Rowe scene seems sense speak speech Steevens suggests sweet sword tell tent thee Theobald Thers Thersites thing thou Tilley tion Troilus and Cressida Troilus and Criseyde Trojan Trojan War Troy trumpet Tw.N Ulysses v.ii v.iii variant Variorum verb Walker NCS William Shakespeare word