Modern Painters: Re-arranged and revised by the author, Band 2 |
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Modern Painters: Re-Arranged and Revised by the Author, Band 2 John Ruskin Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
action actual angel appearance artist associative beauty become believe body called chapter character circumstances cloud colour combination composition conceive conception dark depends detail directed drawing entirely evident exhibited existence expression eyes faculty fancy farther feeling figure follow give given ground hand head heart human ideal ideas illustration imagination imperfection instance interest Italy kind knowledge landscape leaves less light lines look material matter meaning mere Michael mind mode mountains nature necessary never object observed once operation painted painter passage perfect perhaps picture present pure reader refer regarding relations remains represent respecting rest result scene seen sense separate shadow side spiritual stand suggestion suppose things thought Tintoret tion touch treatment tree true trunk truth Turner usually visible whole
Beliebte Passagen
Seite 143 - Sweet flower ! for by that name at last, When all my reveries are past, I call thee, and to that cleave fast, Sweet silent creature ! That breath'st with me in sun and air, Do thou, as thou art wont, repair My heart with gladness, and a share Of thy meek nature ! TO THE SAME FLOWER.
Seite 15 - Under the opening eyelids of the morn, We drove a-field, and both together heard What time the gray-fly winds her sultry horn...
Seite 14 - That fires the length of Ophiuchus huge In the Arctic sky, and from his horrid hair Shakes pestilence and war.
Seite 144 - With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought.
Seite 70 - The imagination sees the heart and inner nature, and makes them felt, but is often obscure, mysterious, and interrupted, in its giving of outer detail.
Seite 73 - O Proserpina, For the flowers now, that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath ; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength — a malady Most incident to maids...
Seite 119 - Tis lost in shade ; yet, like the basilisk, It fascinates, and is intolerable. His mien is noble, most majestical ! Then most so, when the distant choir is heard At morn or eve...
Seite 62 - And fuel'd entrails thence conceiving fire, Sublimed with mineral fury, aid the winds, And leave a singed bottom all involved With stench and smoke : such resting found the sole Of unblest feet.
Seite 143 - I see thee glittering from afar — And then thou art a pretty star, Not quite so fair as many are In heaven above thee...
Seite 73 - But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength, a malady Most incident to maids; bold oxlips and The crown imperial; lilies of all kinds, The flower-de-luce being one!