Shakespeare Commentaries, Band 2Smith, Elder and Company, 1863 |
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... Cæsar 319 Antony and Cleopatra 353 Coriolanus 387 Timon of Athens 420 The Tempest . 433 The Winter's Tale 465 Henry VIII . 489 Shakespeare 505 His sense of beauty 506 His alleged inattention to Rules 518 His ideal of art 548 His age 572 ...
... Cæsar 319 Antony and Cleopatra 353 Coriolanus 387 Timon of Athens 420 The Tempest . 433 The Winter's Tale 465 Henry VIII . 489 Shakespeare 505 His sense of beauty 506 His alleged inattention to Rules 518 His ideal of art 548 His age 572 ...
Seite 4
... Cæsar , Brutus ' defection is represented as an act of faithlessness and ingratitude , which the spirit of the murdered friend resents and retaliates . In Henry VIII . , Wolsey's self - seeking plans , in opposition to his royal patron ...
... Cæsar , Brutus ' defection is represented as an act of faithlessness and ingratitude , which the spirit of the murdered friend resents and retaliates . In Henry VIII . , Wolsey's self - seeking plans , in opposition to his royal patron ...
Seite 6
... Cæsar was written just about 1601 or 1602 , not without reference to these conspirators and independent spirits . We have seen from the prologue to Henry V. , what a sympa- thizing delight Shakespeare manifested in Essex , and still ...
... Cæsar was written just about 1601 or 1602 , not without reference to these conspirators and independent spirits . We have seen from the prologue to Henry V. , what a sympa- thizing delight Shakespeare manifested in Essex , and still ...
Seite 10
... Cæsar , and Hamlet ( 1600-2 ) ; we shall shift Cæsar back to the other Roman plays and place by Hamlet its counterpart Macbeth ( 1605 ) , and next to this , Lear ( 1605 ) and Cymbeline ( 1609 ) , which we see in similar relation to each ...
... Cæsar , and Hamlet ( 1600-2 ) ; we shall shift Cæsar back to the other Roman plays and place by Hamlet its counterpart Macbeth ( 1605 ) , and next to this , Lear ( 1605 ) and Cymbeline ( 1609 ) , which we see in similar relation to each ...
Seite 12
... in the verse , which we read differ- ently in our present text : Cæsar did never wrong , but with just cause . According to the present judgment of Shakespeare , no one 12 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
... in the verse , which we read differ- ently in our present text : Cæsar did never wrong , but with just cause . According to the present judgment of Shakespeare , no one 12 THIRD PERIOD OF SHAKESPEARE'S DRAMATIC POETRY .
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Häufige Begriffe und Wortgruppen
according action actor æsthetic ambition ancient Antony Antony and Cleopatra Apemantus appears Aristotle Bacon Banquo beauty become Brutus called Cassius character Cleopatra comedy conscience contrary contrast Cordelia Coriolanus crime Cymbeline daughter death deed depicted Desdemona drama evil excited expression false fate father fault favour fear feeling fidelity friends genius Goethe Hamlet happiness heart hero heroic Homer honour human nature Iachimo Iago idea ideal imagination Imogen innocence instinct jealousy Julius Cæsar justice king knows Lear Leontes Macbeth manner matter means Measure for Measure mind Moor moral murder never noble Octavius once Othello passion perceive piece Pisanio play Plutarch poet poet's poetic poetry political Polonius possesses Posthumus pride punishment racter representation revenge Roman says scene Schiller Shake Shakespeare shews side sorrow soul speare spirit things thought Timon tragedy tragic Troilus true truth unnatural virtue weakness whole wife Winter's Tale words
Beliebte Passagen
Seite 53 - And portance in my travel's history; Wherein of antres vast, and deserts idle, Rough quarries, rocks, and hills whose heads touch heaven, It was my hint to speak, — such was the process; And of the Cannibals that each other eat, The Anthropophagi, and men whose heads Do grow beneath their shoulders.
Seite 621 - What, in ill thoughts again ? Men must endure Their going hence, even as their coming hither : Ripeness is all : Come on.
Seite 66 - Twere now to be most happy, for I fear My soul hath her content so absolute That not another comfort like to this Succeeds in unknown fate.
Seite 330 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Seite 8 - Tired with all these, for restful death I cry, As, to behold desert a beggar born, And needy nothing trimm'd in jollity...
Seite 297 - Outliving beauty's outward, with a mind That doth renew swifter than blood decays! Or, that persuasion could but thus convince me,— That my integrity and truth to you Might be affronted with the match and weight Of such a winnow'd purity in love; How were I then uplifted! but, alas, I am as true as truth's simplicity, And simpler than the infancy of truth.
Seite 136 - That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have/ He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears.
Seite 335 - And, since the quarrel Will bear no colour for the thing he is, Fashion it thus; that what he is, augmented, Would run to these and these extremities: And therefore think him as a serpent's egg Which, hatch'd, would, as his kind, grow mischievous, And kill him in the shell.
Seite 228 - Here, take this purse, thou whom the heavens' plagues Have humbled to all strokes : that I am wretched Makes thee the happier : — heavens, deal so still ! Let the superfluous and lust-dieted man, That slaves your ordinance, that will not see Because he doth not feel, feel your power quickly ; So distribution should undo excess, And each man have enough.
Seite 285 - tis slander, Whose edge is sharper than the sword ; whose tongue Outvenoms all the worms of Nile ; whose breath Rides on the posting winds, and doth belie All corners of the world : kings, queens, and states, Maids, matrons, nay, the secrets of the grave This viperous slander enters.