The Expression of the Emotions in Man and Animals

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D. Appleton, 1873 - 374 Seiten
 

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Seite 363 - Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba ! What's Hecuba to him, or he to Hecuba, That he should weep for her?
Seite 238 - In peace there's nothing- so becomes a man As modest stillness and humility: But when the blast of war blows in our ears. Then imitate the action of the tiger; Stiffen the sinews, summon up the blood...
Seite 332 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay,' And I will take thy word: yet, if thou swear'st, Thou mayst prove false: at lovers' perjuries, They say, Jove laughs.
Seite 287 - In thoughts from the visions of the night, when deep sleep falleth on men, fear came upon me, and trembling, which made all my bones to shake. Then a spirit passed before my face; the hair of my flesh stood up: it stood still, but I could not discern the form thereof: an image was before mine eyes, there was silence, and I heard a voice, saying, Shall mortal man be more just than God? shall a man be more pure than his maker?
Seite 238 - Disguise fair nature with hard-favour'd rage ; Then lend the eye a terrible aspect ; Let it pry through the portage of the head Like the brass cannon ; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height.
Seite 178 - The circulation becomes languid; the face pale; the muscles flaccid; the eyelids droop; the head hangs on the contracted chest; the lips, cheeks, and lower jaw all sink downwards from their own weight.
Seite 362 - He who gives way to violent gestures will increase his rage ; he who does not control the signs of fear will experience fear in a greater degree ; and he who remains passive when overwhelmed -with grief loses his best chance of recovering elasticity of mind.
Seite 286 - In both cases the eyes and mouth are widely opened and the eyebrows raised. The frightened man at first stands like a statue, motionless and breathless, or crouches down as if instinctively to escape observation.
Seite 9 - Fear, when strong, expresses itself in cries, in efforts to escape, in palpitations, in tremblings; and these are just the manifestations that go along with an actual suffering of the evil feared. The destructive passion is shown in a general tension of the muscular system, in gnashing of teeth and protrusion of the claws, in dilated eyes and nostrils, in growls ; and these are weaker forms of the actions that accompany the killing of prey.
Seite 51 - Let us now suppose that the dog suddenly discovers that the man whom he is approaching, is not a stranger, but his master ; and .let it be observed how completely and instantaneously his whole bearing is reversed. Instead of walking upright, the body sinks downwards or even crouches, and is thrown into flexuous movements ; his tail, instead of being held stiff and upright, is lowered and wagged from side to side ; his hair instantly becomes smooth ; his ears are depressed and drawn backwards, but...

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