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Laf. Indeed, Sir, if your metaphor stink, I will ftop my nose against any man’s ’ metaphor. Pr’ychee, get thee further.
Per. Pray you, Sir, deliver me this paper.
. Foh! pr’ythee, stand away ; a paper from fortune's close-stool, to give to a Nobleman! look, here he comes himself.
Here is a pur of fortune's, Sir, or fortune's cat, (but not a musk-cat ;) that hath fali’n into the unclean fishpond of her displeasure, and, as he says, is muddied withal. Pray you, Sir, use the carp as you may; for he looks like a poor, decayed, ingenious, foolish-rafcally knave $. I do pity his distress in my similies of comfort, and leave him to your Lordship.
Par. My Lord, I am a man whom fortune hath cruelly scratch'a.
Laf. And what would you have me to do? 'iis too late to pare her nails now. Wherein have you play'd
? Indeed, Sir, if your me'apher vil fumma laus est in verbis trarlflink, I will stop my nose against ferendis ut fenfum feriat id, quud any men's metaphor.] Noching translatum fit, fuienda eft omnis could be conceived with greater turpitudo earum rerum, ad quas humour, or justness of satire, 81 um animos qui audiunt cranet than this speech. The use of fimilitudo. Nolo morte dci ijisthe plin:king metaphor is an odious cani caitratam je rempublicam. faule, which grave writers often Nolo ftercus curice dici Glauciam. commit. It is not uncommon Our poet himlelf is extremely to see moral declaimers againit delicate in this respect, who, vice, describe her as Hefiod did throughout his large writings, if the Fury Triftitia:
you except a pallage in Hamlet,
has scarce a metaphor that can Της έκ τίνων μύξαι έν.
offend the mot squeamish reader. Upon which Longinus juftly ob
WARBURTON. ferves, that, inttead of giving a 8 I pity bis disress in my SMILES terrible image, he has given a of comfort,] We should read, very nafty one.
Cicero cautions SIVILIES of comfort, such as the well against it, in his book de calling him fortune's cat, carp, Orat, Quoniam hær, says he, &c.
the knave with fortune, that she should scratch you, who of herself is a good Lady, and would not have knaves thrive long under her ? there's a Quart-d'ecut for you : let the justices make you and fortune friends i I am for other business.
Par. I beseech your honour, to hear me one single word.
Laf. You beg a single penny more. Come, you shall ha't, fave your word.
Par. My name, my good Lord, is Parolles.
Laf. You beg more than one word then. Cox'my paffion! give me your hand. How does your drum?
Per. O my good Lord, you were the first that found
Laf. Was l, in footh ? and I was the first that loft thee.
Par. It lies in you, my Lord, to bring me in some grace,
for you did bring me out. Laf. Out upon thee, knave! dost thou put upon me at once both the office of God and the Devil ? one brings thee in grace, and the other brings thee out. [Sound Trumpets.] The King's coming, i know, by his trumpets. Sirrah, inquire further after me, I had talk of you last night; tho’you are a fool and a kuave, you shall eat '; go to, follow. Par. I praise God for you.
-you ficall eat ;] Pa- had no more wit than virtue. rolles has many of the lineaments Though juttice required that he of Fa ftoff, and seems to be the should be detected and exposed, character which Shakespeare de- yet his viccs fit fo fit in him that lighted to draw, a fellow that he is not at last suffered to starve.
Flourish. Enter King, Courtess, Lafeu, the two
French Lords, with attendants.
King. We lost a jewel of her, our esteem
Count. 'Tis past, my Liege;
King. My honour'd Lady,
Laf. This I must say,
astonish the survey
King. Praising what is loft,
esteem] Dr. Warburton king of, is much poorer than be. in Theobalás edition altered this fore. word to efiate, in his own he lets
kome.] That is comit stand and explains it by wirth pletely, in its full extent, or estate. But esteem is here 3_blade of youth,, In the spring reckoning or eftimale. Since the of early lifi, when the man is lofs of Helen with her virtues and yet green. Oil and fire fuit but ill
. qualifications, our account is funk; with blace, and therefore Dr. what we have to reckon ourselves Warburton reads, llaze of youth.
Makes the remembrance dear. Well
Gent. I shall, my Liege.
spoke? Laf. All that he is, hath reference to your High
ness. King. Then shall we have a match. I have letters
That set him high in fame.
S CE N E IV.
Laf. He looks well on't.
King. I'm not a day of season,
the first view fall Bertram's double crime of cruelty kill
and disobedience, joined likeAll repetition : ] The wise with some hypocrisy, should first interview fball put an end to raise more resentment; and all recollection of the past. Shake- that though his mother might speare is now hastening to the easily forgive him, his king end of the play, finds his mat- mould more pertinac Oufly vinditer fufficient to fill up his remain- cate his own authority and Heing scenes, and therefore, as on len's merit: of all this stateother such occasions, contracts Speere could not be ignorant, but his dialogue and precipitates his Shakespeare wanted to conclude action. Decency required that his play.
The time is fair again.
Ber. My high repented blames,
King. All is whole:
Ber. Admiringly, tny Liege. At first
S SCORN's a fair colour, or To a most hideous objec? : exprefid it ftel'n;] Fir:, it is Secondly, It is to be observed, to be observed, that this young that he describes his indifference man's case was no: indifference for others in highly figurative to the fex in general, but a very expresions. Contempt is brought frong attachment to one; there in lending him her perspective. fore he could not scora a fair co, glass, which does its office prolour, for it was that which had perly by warfing the lines of all captivated him. But he might other faces ; by extending or convery naturally be said to do what tradling into a hide us objet ; or men, strongly attach'd to one, by exprelling or fhewing native commonly do, not allow beauty red and white as paint. But with in any face but his millress's. what propriety of speech can this And that this was the thought glass be said to jcorn, which is here, is evident,
an affection of the mind ? Here 1. From the latter part of the then the metaphor becomes miverse.
ferably mangled; but the foreor expresi'd it ftell n ; going obfervation will lend us to
2. From the preceding verse, the genuine reading. which is, Wbich warp'd the line of every
Scorca'o a fair colour, or ex
prefi'd it stillin; 3. From the following verses, i. e. this glass represented the Extended or contracted all pro- owner as brown or tanned : or, portions
if nor fo, caused the native coсс 2