Discourse, Band 342012 |
Im Buch
Ergebnisse 1-3 von 17
Seite 294
... Campion's filmmaking style works to emphasize this by insisting on inhabiting one female character's body language and emphasizing the way that this body language is intimately tied to their passions and vice verse . In other words ...
... Campion's filmmaking style works to emphasize this by insisting on inhabiting one female character's body language and emphasizing the way that this body language is intimately tied to their passions and vice verse . In other words ...
Seite 296
... Campion's approach to the mundane , her philosophy that thought and the potential for passion ( or art ) arise out of the incongruent relation between the subjective and the objective , between the heroine and her surroundings . Campion ...
... Campion's approach to the mundane , her philosophy that thought and the potential for passion ( or art ) arise out of the incongruent relation between the subjective and the objective , between the heroine and her surroundings . Campion ...
Seite 303
... Campion moves her investigation more fully into the realm of the visual.23 Campion's devotion to the plot of Moore's novel provokes a unique tension between the driven nature of a detective narrative and Campion's visual commitment to ...
... Campion moves her investigation more fully into the realm of the visual.23 Campion's devotion to the plot of Moore's novel provokes a unique tension between the driven nature of a detective narrative and Campion's visual commitment to ...
Inhalt
Gilmore Girls and the Elasticity | 3 |
A Theory of Effeminate Enthusiasms | 59 |
Strategies | 93 |
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