Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29.11.1991 - 264 Seiten This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Seite 100
... murder of Banquo . Macbeth has , we recall , kept her “ innocent of the knowledge ” until she might “ applaud the deed . " She is not , however , unaware of Macbeth's imaginative and moral acuity . She has heard of the “ air - drawn ...
... murder of Banquo . Macbeth has , we recall , kept her “ innocent of the knowledge ” until she might “ applaud the deed . " She is not , however , unaware of Macbeth's imaginative and moral acuity . She has heard of the “ air - drawn ...
Seite 105
... murder , by which , when they heard Banquo was murdered they suspected Macbeth . ( modernized spelling , in Salgado 1975 , 31–32 ) For Forman , the banquet scene serves only to advance the plot of the play . It is how the other ...
... murder , by which , when they heard Banquo was murdered they suspected Macbeth . ( modernized spelling , in Salgado 1975 , 31–32 ) For Forman , the banquet scene serves only to advance the plot of the play . It is how the other ...
Seite 134
... murder scene are the speed , specificity , and professional detachment of Lightborn as he goes about his business . The brutal economy with which he finally identifies his mission ; his indiffer- ence to anything other than Edward's ...
... murder scene are the speed , specificity , and professional detachment of Lightborn as he goes about his business . The brutal economy with which he finally identifies his mission ; his indiffer- ence to anything other than Edward's ...
Inhalt
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Urheberrecht | |
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Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Eingeschränkte Leseprobe - 1991 |
Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Eingeschränkte Leseprobe - 2015 |
Häufige Begriffe und Wortgruppen
Alcibiades Apemantus aspiring attempt audi audience engagement audience response audience's Banquo's ghost Barabas Barabas's behavior believe Berger capacity character claim contemporary contends context critical cultural defenses demystify dience discourse Doctor Faustus dramatic Edward Edward II effects Elizabethan playgoers embodiment ence fantasy fantasy fulfillment feel Ferneze Gaveston Gosson Greenblatt Henry Henry's identify ideology imaginary imaginative interpretive community Jack Straw Jew of Malta John of Leyden king King Lear Lear Leontes's Lord Macbeth Machiavel Machiavellian manner Marlowe and Shakespeare Marlowe's masterless material mind moral murder Nashe normative observes onstage opposed orthodox perspective play's playgoing playhouse playtexts playwright pleasure political position potential privileged provides provocative psychic disposition psychological radical reading regarding resistance Richard Richard III role scene seems set speech Shakespeare social speak specific spectator stage status structure subversive suggests Tamburlaine phenomenon Tamburlaine plays theater theatrical experience thou Timon of Athens tion transgressive Troilus Ulysses vicariously
Verweise auf dieses Buch
Before Orientalism: London's Theatre of the East, 1576-1626 Richmond Tyler Barbour Eingeschränkte Leseprobe - 2003 |