Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29.11.1991 - 264 Seiten This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Seite 9
... observes that there is far more in any Shake- spearean text than can be taken in , much less precisely understood , by even the most attentive playgoer . Our experience of plays in performance is apt to focus our attention on the ...
... observes that there is far more in any Shake- spearean text than can be taken in , much less precisely understood , by even the most attentive playgoer . Our experience of plays in performance is apt to focus our attention on the ...
Seite 54
... observes : Anonymous libels and seditious utterances testify to the existence among at least some of the common people of a bitter hatred of the rich whom they regarded as exploiters : " Yt wold never be merye till some of the gentlemen ...
... observes : Anonymous libels and seditious utterances testify to the existence among at least some of the common people of a bitter hatred of the rich whom they regarded as exploiters : " Yt wold never be merye till some of the gentlemen ...
Seite 218
... observes , “ is not one to examine unexamined enthusiasms " ( 1972 , 185 ) . 10. This procedure has much in common with the way in which religious and providentialist paradigms continued to operate in the minds of those contempo- raries ...
... observes , “ is not one to examine unexamined enthusiasms " ( 1972 , 185 ) . 10. This procedure has much in common with the way in which religious and providentialist paradigms continued to operate in the minds of those contempo- raries ...
Inhalt
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Eingeschränkte Leseprobe - 1991 |
Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Eingeschränkte Leseprobe - 2015 |
Häufige Begriffe und Wortgruppen
Alcibiades Apemantus aspiring attempt audi audience engagement audience response audience's Banquo's ghost Barabas Barabas's behavior believe Berger capacity character claim contemporary contends context critical cultural defenses demystify dience discourse Doctor Faustus dramatic Edward Edward II effects Elizabethan playgoers embodiment ence fantasy fantasy fulfillment feel Ferneze Gaveston Gosson Greenblatt Henry Henry's identify ideology imaginary imaginative interpretive community Jack Straw Jew of Malta John of Leyden king King Lear Lear Leontes's Lord Macbeth Machiavel Machiavellian manner Marlowe and Shakespeare Marlowe's masterless material mind moral murder Nashe normative observes onstage opposed orthodox perspective play's playgoing playhouse playtexts playwright pleasure political position potential privileged provides provocative psychic disposition psychological radical reading regarding resistance Richard Richard III role scene seems set speech Shakespeare social speak specific spectator stage status structure subversive suggests Tamburlaine phenomenon Tamburlaine plays theater theatrical experience thou Timon of Athens tion transgressive Troilus Ulysses vicariously
Verweise auf dieses Buch
Before Orientalism: London's Theatre of the East, 1576-1626 Richmond Tyler Barbour Eingeschränkte Leseprobe - 2003 |