Marlowe, Shakespeare, and the Economy of Theatrical ExperienceUniversity of Pennsylvania Press, Incorporated, 29.11.1991 - 264 Seiten This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe. |
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Seite xiii
... provocative set of plays , but be- cause they have traditionally functioned as embodiments of opposed and often irreconcilable ideas about theatrical experience . It is not my purpose here to reconcile them in a single , all - embracing ...
... provocative set of plays , but be- cause they have traditionally functioned as embodiments of opposed and often irreconcilable ideas about theatrical experience . It is not my purpose here to reconcile them in a single , all - embracing ...
Seite 44
... provocative drama of the Restoration and the eighteenth century , we would be able to isolate some important characteristics of early modern theatrical culture . The Nahum Tate sentimentalization of King Lear , which has analogues in ...
... provocative drama of the Restoration and the eighteenth century , we would be able to isolate some important characteristics of early modern theatrical culture . The Nahum Tate sentimentalization of King Lear , which has analogues in ...
Seite 111
... provocative inter- actions between play and audience generated by the shared vision of Ban- quo's ghost . Since Shakespeare's defensive pattern effectively requires the play to assume a moralized approach to its subject that makes clear ...
... provocative inter- actions between play and audience generated by the shared vision of Ban- quo's ghost . Since Shakespeare's defensive pattern effectively requires the play to assume a moralized approach to its subject that makes clear ...
Inhalt
Part One The Economy of Theatrical Experience | 9 |
The Audience in Theory and Practice | 38 |
Part Two The Webs of Plays | 67 |
Urheberrecht | |
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Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Eingeschränkte Leseprobe - 1991 |
Marlowe, Shakespeare, and the Economy of Theatrical Experience Thomas Cartelli Eingeschränkte Leseprobe - 2015 |
Häufige Begriffe und Wortgruppen
Alcibiades Apemantus aspiring attempt audi audience engagement audience response audience's Banquo's ghost Barabas Barabas's behavior believe Berger capacity character claim contemporary contends context critical cultural defenses demystify dience discourse Doctor Faustus dramatic Edward Edward II effects Elizabethan playgoers embodiment ence fantasy fantasy fulfillment feel Ferneze Gaveston Gosson Greenblatt Henry Henry's identify ideology imaginary imaginative interpretive community Jack Straw Jew of Malta John of Leyden king King Lear Lear Leontes's Lord Macbeth Machiavel Machiavellian manner Marlowe and Shakespeare Marlowe's masterless material mind moral murder Nashe normative observes onstage opposed orthodox perspective play's playgoing playhouse playtexts playwright pleasure political position potential privileged provides provocative psychic disposition psychological radical reading regarding resistance Richard Richard III role scene seems set speech Shakespeare social speak specific spectator stage status structure subversive suggests Tamburlaine phenomenon Tamburlaine plays theater theatrical experience thou Timon of Athens tion transgressive Troilus Ulysses vicariously
Verweise auf dieses Buch
Before Orientalism: London's Theatre of the East, 1576-1626 Richmond Tyler Barbour Eingeschränkte Leseprobe - 2003 |