Some Account of the English Stage: From the Restoration in 1660 to 1830, Band 5H.E. Carrington, 1832 |
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Seite 4
... says to a receipt of £ 335 - and from that time scarcely any but the performers were permitted to visit the scenes of the playhouse . ( Wilkinson and Davies . ) = Sept. 18. Careless Husband , and Old Maid . 21. Beggar's Opera . Macheath ...
... says to a receipt of £ 335 - and from that time scarcely any but the performers were permitted to visit the scenes of the playhouse . ( Wilkinson and Davies . ) = Sept. 18. Careless Husband , and Old Maid . 21. Beggar's Opera . Macheath ...
Seite 6
... says that the din of war is hushed , and that Daphnis may stay at home this musical trifle is attributed to Harris - it is said to have been reprinted in 1766 as Daphnis and Amaryllis . : 23. All's well that ends well . Bertram Palmer ...
... says that the din of war is hushed , and that Daphnis may stay at home this musical trifle is attributed to Harris - it is said to have been reprinted in 1766 as Daphnis and Amaryllis . : 23. All's well that ends well . Bertram Palmer ...
Seite 9
... says in the 4th act that he had been 16 months at Milan - and Shakspeare evidently meant a considerable portion of this time to pass between the 1st and 4th scenes of this act - but Victor has , with gross absurdity , consolidated the ...
... says in the 4th act that he had been 16 months at Milan - and Shakspeare evidently meant a considerable portion of this time to pass between the 1st and 4th scenes of this act - but Victor has , with gross absurdity , consolidated the ...
Seite 10
... says that he found it in print―― Launce speaks his 1st soliloquy at Milan instead of Verona - an alteration much for the worse . Act 3d differs but little from the original - part of Valentine's speech , after he is banished , seems to ...
... says that he found it in print―― Launce speaks his 1st soliloquy at Milan instead of Verona - an alteration much for the worse . Act 3d differs but little from the original - part of Valentine's speech , after he is banished , seems to ...
Seite 17
... says that Fitzpatrick was admired for his talents and amiable manners ; and that Churchill inserted in the Rosciad a ... say seems more consonant to truth than Murphy's account -- but if all that Murphy has been pleased to say of ...
... says that Fitzpatrick was admired for his talents and amiable manners ; and that Churchill inserted in the Rosciad a ... say seems more consonant to truth than Murphy's account -- but if all that Murphy has been pleased to say of ...
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1st appearance Abington actor Aikin altered Baddeley Bannister Barry Beggar's Opera Bellamy Bensley bill Brereton Bulkley Capt Cautherley character Cibber Clarke Clinch Clive Colman Comedy Conscious Lovers Cordelia Cymbeline daughter Davies Didier Dimond Dodd Drugger Dunstall Dyer Edwin Fair Penitent Falstaff Farce Foote Garrick acted Gentleman Hamlet Hartley Havard Henderson acted Henry 4th Holland Hopkins Hull humour Jane Shore Jefferson King Lear Lady Townly Lee Lewes Lessingham Lewis Lord Love Lucy Macbeth Maid marry Mattocks Merchant of Venice Miss Barsanti Miss Elliot Miss Macklin Miss Mansell Miss Plym Miss Pope Miss Younge Moody Never acted night Oakly Obrien Oroonoko Othello Packer Palmer Parsons Pitt play Powell Provoked Husband Provoked Wife Queen Quick Reddish Richard 3d Romeo and Juliet Ross Rusport says scene Shakspeare Shuter Sir Harry Sir John Smith stage Tamerlane theatre Venice Vernon Ward Weston Wilson Woodward wou'd Wroughton Yates Zara
Beliebte Passagen
Seite 501 - As an actor, confessed without rival to shine, As a wit, if not first, in the very first line; Yet with talents like these and an excellent heart, The man had his failings, a dupe to his art. Like an ill-judging beauty his colours he spread, And beplastered with rouge his own natural red. On the stage he was natural, simple, affecting: 'Twas only that, when he was off, he was acting.
Seite 501 - Twas only that when he was off he was acting. With no reason on earth to go out of his way, He turn'd and he varied full ten times a day: Though secure of our hearts, yet confoundedly sick If they were not his own by finessing and trick: He cast off his friends, as a huntsman his pack, For he knew when he pleased he could whistle them back. Of praise a mere glutton, he swallow'd what came, And the puff of a dunce he mistook it for fame; Till his relish grown callous, almost to disease, Who pepper'd...
Seite 192 - ... fill the mind with a perpetual tumult of indignation, pity, and hope. There is no scene which does not contribute to the aggravation of the distress or conduct of the action, and scarce a line which does not conduce to the progress of the scene. So powerful is the current of the poet's imagination, that the mind, which once ventures within it, is hurried irresistibly along.
Seite 390 - O that Ben Jonson is a pestilent fellow, he brought up Horace giving the Poets a pill, but our fellow Shakespeare hath given him a purge that made him bewray his credit.
Seite 545 - As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Seite 503 - ... theatre. The present writer well remembers being in conversation with Dr. Johnson near the side of the scenes during the tragedy of King Lear : when Garrick came off the stage, he said, " You two talk so loud you destroy all my feelings.
Seite 487 - ... tis so admirable that when it is done no one of the audience would think the poet could have missed it, and yet it was concealed so much before the last scene that any other way would sooner have entered into your thoughts.
Seite 192 - Cordelia, that never chang'd word with each other in the Original. This renders Cordelia's Indifference and her Father's Passion in the first Scene probable. It likewise gives Countenance to Edgar's Disguise, making that a generous Design that was before a poor Shift to save his Life.
Seite 607 - to find that the man is rising in the world." The expression was afterwards repeated to Foote, who, in return, gave out, that he would produce the Caliban of literature on the stage. Being informed of this design, Johnson sent word to Foote : " that the theatre being intended for the reformation of vice, he would step from the boxes on the stage, and correct him before the audience." Foote knew the intrepidity of his antagonist, and abandoned the design. No ill will ensued. Johnson used to say:...
Seite 17 - O, it is excellent To have a giant's strength ; but it is tyrannous To use it like a giant.