Tragedy and Comedy: A Systematic Study and a Critique of Hegel

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State University of New York Press, 31.10.1997 - 450 Seiten
In the first evaluation and critique of Hegel's theory of tragedy and comedy in any language, Mark William Roche points out the strengths and weaknesses of Hegel's positions while developing an original theory of both genres. Along with its theoretical discussions, the book weaves together in an entertaining and provocative way commentary on an array of artworks, from Greek drama to contemporary American cinema, with a particular focus on modern European and especially German drama. What emerges from this study is not only a clearer picture of Hegel's strengths and weaknesses but an original study of tragedy and comedy that will be studied along with other modern classics such as those of Peter Szondi and Northrop Frye.

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Inhalt

Introduction
1
Art and Truth
21
Art and History
27
Drama Novel and Film
35
A Note to the Reader
45
A Study of Comedy
135
On the Drama of Reconciliation
247
Tragedy and Comedy Today
297
Appendix B Comedy
327
Drama of Reconciliation
333
51
343
The Drama of Suffering
353
Paratragedy or the Tragedy of Suffering
401
Works Cited
409
103
428
Index
441

Afterword
311
Appendix A Tragedy
321

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Autoren-Profil (1997)

Mark William Roche is I. A. O'Shaughnessy Dean of the College of Arts and Letters, the Reverend Edmund P. Joyce, C.S.C. Professor of German Language and Literature and Concurrent Professor of Philosophy at the University of Notre Dame. Roche is the author of Dynamic Stillness: Philosophical Conceptions of Ruhe in Schiller, Holderlin, Buchner, and Heine and Gottfried Benn's Static Poetry: Intellectual-Historical and Aesthetic Interpretations.

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