Discourse, Band 30,Ausgabe 32008 |
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Seite 321
... present , claiming that liberalism " overexpose [ d ] the viewer to the incessant repetition of tragedies " ; that totalitarianism “ opted for underexposure and the radical occultation of any singularity " ; and that , in “ these early ...
... present , claiming that liberalism " overexpose [ d ] the viewer to the incessant repetition of tragedies " ; that totalitarianism “ opted for underexposure and the radical occultation of any singularity " ; and that , in “ these early ...
Seite 387
... present ones . What Smith has lost , however , is the ability to recall personal experiences from his past , including personal information such as his name . His trouble , in large part , is the loss of “ episodic memory ” ( which has ...
... present ones . What Smith has lost , however , is the ability to recall personal experiences from his past , including personal information such as his name . His trouble , in large part , is the loss of “ episodic memory ” ( which has ...
Seite 435
... present without incident . ( The work's impression of trans- parency , its deliberate effacing of its own construction , is something that it shares with traditions of industrial cinema . ) As art and per- formance historians Anne ...
... present without incident . ( The work's impression of trans- parency , its deliberate effacing of its own construction , is something that it shares with traditions of industrial cinema . ) As art and per- formance historians Anne ...
Inhalt
Contents | 278 |
Industrial Safety Films Accidental Motion Studies | 317 |
Blunt Head Trauma and AccidentDriven Cinema | 373 |
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acci accident accidental aesthetic amnesia anxiety artists automobile Babel body California Press camera car crash Chieko Christian Marclay cinema Cinematograph collision containment contingent event Crash Injury Crash Test Dummy cultural David Lynch dent desire destruction disaster discourse documentary early film Edgar Kennedy effect Emergence of Cinematic encounter enframing epidemiological essay experience figure film's filmic filmmakers Fluxus force frame global Guitar Drag head injury Hepworth high-speed Hot Zone Hugh De Haven human Ibid impact Iñárritu infection ITTE James Byrd Jr laboratory Leo Cahill Lumière Marclay's Mary Ann Doane Modernity motorists Mulholland Drive Muybridge Nam June Paik necessity ontological outbreak narratives Paik Paul Virilio performance photographic present produced punk rock quotation Random Harvest reveals safety scene screen sense Severy shooting shot space spectacle spectator speed Stapp structure Studies Susan technologies temporal tion trans trauma University of California University Press violence Virilio visual York