Mozart and the Enlightenment: Truth, Virtue, and Beauty in Mozart's Operas

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W. W. Norton & Company, 1995 - 371 Seiten
In this fascinating study of Mozart's operas, Nicholas Till shows that the composer was not a "divine idiot" but an artist whose work was informed by the ideas and discoveries of the Enlightenment. Examining the dramatic emergence of a modern society in eighteenth-century Austria, the author draws on such famous writers and thinkers of the time as Richardson, Voltaire, Rousseau, Kant, Goethe, Schiller, and Blake to reappraise the history and meaning of the Enlightenment and of Mozart's role within it. He evokes for us the Vienna of the 1780s, a world of intense intellectual argument, political debate, and religious inquiry, which deeply influenced the philosophical content of Mozart's operas. From the early La Finta Giardiniera, based on Richardson's Pamela, to Die Entfuhrung aus dem Serail, designed to support the political aims of Emperor Joseph II; from Le nozze di Figaro, a profound exploration of marriage as a human and social institution, to the post-Enlightenment Zauberflote, the operas bear witness to the era's changing views and to Mozart's own quest for personal and artistic identity.

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MOZART AND THE ENLIGHTENMENT: Truth, Virtue, and Beauty in Mozart's Operas

Nutzerbericht  - Kirkus

An erudite mix of music, history, philosophy, biography, sociology, and even depth psychology—adding up to a triumphant study of Mozart's supreme masterworks. Writers faced with Don Giovanni or The ... Vollständige Rezension lesen

Mozart and the Enlightenment: truth, virtue, and beauty in Mozart's operas

Nutzerbericht  - Not Available - Book Verdict

One might have hoped there would be a moratorium on books about Mozart after the excesses of his recent bicentennial, but this reviewer would gladly make an exception for this one. This critical study ... Vollständige Rezension lesen

Inhalt

The education of a bourgeois artist
9
La finta giardiniera
17
Opera and the Enlightenment
38
Mozarts arrival in Vienna
97
The return to Italian opera
130
Epilogue
320
Bibliography
351
Index
362
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