Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Ergebnisse 1-3 von 14
Seite 22
... revealed ; whereas a character who only loves or who only fights , and who is never represented as doing anything ... reveal any tendency toward greater psycho- logical accuracy of character portrayal as Shakespeare gained ex- perience ...
... revealed ; whereas a character who only loves or who only fights , and who is never represented as doing anything ... reveal any tendency toward greater psycho- logical accuracy of character portrayal as Shakespeare gained ex- perience ...
Seite 66
... revealed the various agencies that lead a man to crime - his ambi- tion , the placing of temptations in his path , the ... reveals itself in a different form in the subsequent acts . For example , in his instructions to the murderers of ...
... revealed the various agencies that lead a man to crime - his ambi- tion , the placing of temptations in his path , the ... reveals itself in a different form in the subsequent acts . For example , in his instructions to the murderers of ...
Seite 100
... reveal his guilt in public as in the banquet scene , villains like Claudius seem on their first appearance to be ... revealed immediately on his first appear- ance . But such a characterization would reduce the king to a type villain ...
... reveal his guilt in public as in the banquet scene , villains like Claudius seem on their first appearance to be ... revealed immediately on his first appear- ance . But such a characterization would reduce the king to a type villain ...
Inhalt
Aaron and Iago | 25 |
Richard III Macbeth and Lady Macbeth | 47 |
Angelo and Shylock | 69 |
Urheberrecht | |
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Aaron acter action ambition Angelo Antonio appear Barabbas Bassianus behavior believe brother Cassio char Christian Cinthio's Claudius Coleridge comedy conscience consider conventions convincing Cordelia crime death Desdemona dominate their plays doth dramatic dramatist Duncan E. K. Chambers Edmund effective Elizabethan audiences evil example fact father fiendish flaws Gloucester Hamlet hath Heilman human husband hypocrisy Iago Iago's motivation II:iii Isabella justice Kent king Lady Macbeth Lear Levin Schücking lieutenancy lifelike look Measure for Measure Merchant of Venice mercy murder nature never nineteenth century critics Othello pardon passage plausible plot powers of characterization praise probably psychological accuracy queen realistic characterization Regan and Goneril regard remark remorse repent reveals revenge Richard Richard III Roderigo scholars Schücking seems Shake Shakespeare Shakespeare's characters Shakespeare's plays Shakespeare's powers Shakespeare's villains Shylock soliloquy soul speare's spectator stage Stoll sympathy Tamora thee thou tion Titus Andronicus tragedy unconvincing understandable wife