Remarks on the Beauties of PoetryR. and J. Dodsley, 1762 - 123 Seiten |
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Seite 6
... last , or the fifth and laft fyllables and that , almost without excep- tion , the period is divided into two equal lines , and , as it were , link'd by the rhyme into a couplet . [ α ] Και εσι λέξις κρατίτη πασών , η τις αν έχοι πλεις ...
... last , or the fifth and laft fyllables and that , almost without excep- tion , the period is divided into two equal lines , and , as it were , link'd by the rhyme into a couplet . [ α ] Και εσι λέξις κρατίτη πασών , η τις αν έχοι πλεις ...
Seite 9
... last word of each line , and is ftrongly marked by the rhyme . But , it is on the balance between the two pauses , that the monotony of the verfe depends . Now , this balance is governed by the equal divi- fion of this BEAUTIES OF ...
... last word of each line , and is ftrongly marked by the rhyme . But , it is on the balance between the two pauses , that the monotony of the verfe depends . Now , this balance is governed by the equal divi- fion of this BEAUTIES OF ...
Seite 10
... last example : or , if there should be any difference , it is fo trifling , that it will generally escape the ear . But this is not fo in blank verfe ; for , the lines being made often to run one into the other , the fecond pause is ...
... last example : or , if there should be any difference , it is fo trifling , that it will generally escape the ear . But this is not fo in blank verfe ; for , the lines being made often to run one into the other , the fecond pause is ...
Seite 27
... last example turns on a comparison , which it is not in your power to make . I shall not forget the attention due to you a fecond time , HAVING thus far fhewn that blank verse has many advantages over rhyme ; and that it leaves the poet ...
... last example turns on a comparison , which it is not in your power to make . I shall not forget the attention due to you a fecond time , HAVING thus far fhewn that blank verse has many advantages over rhyme ; and that it leaves the poet ...
Seite 51
... last , is entirely Miltonic . Or , to speak more justly , it is one of thofe fine gradations in poetic harmony , which give a kind of growing energy to a thought , and form a principal E 2 beauty beauty in the verfification of ...
... last , is entirely Miltonic . Or , to speak more justly , it is one of thofe fine gradations in poetic harmony , which give a kind of growing energy to a thought , and form a principal E 2 beauty beauty in the verfification of ...
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Häufige Begriffe und Wortgruppen
Afpafia againſt almoſt anſwers beauty becauſe blank verfe cauſe circumſtances compariſon confifts Conftance correfpond couplet courſe Cymbeline defcribe defign deſcription Dido diſtinction diſtinguiſh effect Eugenio example expreffion faid fame fays fecond feelings feem fenfe fentiment fhall fhould fimple firft firſt fleep fome foul fpecies fpirit fpring fubject fucceffion fuch fudden fuperior fupport furpriſe fyllable genius give greateſt Hamlet happineſs harmony heav'n himſelf ideas imagery images imitation impreffions itſelf laft laſt Loft meaſure metaphor monotony moſt movement mufic muft muſt nature neceffity nexion Novelty numbers obferve occafion Othello paffage paffion Painting pariſon pathetic paufes pauſe pleafing pleaſed pleaſure Poet poetic Poetry profaic reft reprefented reſpect rhyme rife ſay ſcene ſeem ſenſe Shakeſpear ſhall ſhe ſome ſpeak ſtate ſuch thee thefe lines theſe lines thofe thoſe thou thro tion underſtand underſtood verfe verfification verſe weakneſs whofe Whoſe και
Beliebte Passagen
Seite 40 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Seite 15 - Th' infernal Serpent ; he it was, whose guile Stirr'd up with Envy and Revenge, deceiv'd The Mother of Mankind, what time his Pride Had cast him out from Heav'n, with all his Host Of Rebel Angels, by whose aid aspiring To set himself in Glory...
Seite 73 - But let concealment like a worm i' th' bud Feed on her damask cheek: she pin'd in thought, And with a green and yellow melancholy, She sat like Patience on a Monument, Smiling at grief.
Seite 77 - You may shape, Amintor, Causes to cozen the whole world withal, And yourself too ; but 'tis not like a friend To hide your soul from me. 'Tis not your nature To be thus idle : I have seen you stand As you were blasted 'midst of all your mirth ; Call thrice aloud, and then start, feigning joy So coldly ! — World, what do I here ? a friend Is nothing.
Seite 13 - Of night's extended shade, from eastern point Of Libra to the fleecy star that bears Andromeda far off Atlantic seas. Beyond the horizon : then from pole to pole He views in breadth, and without longer pause Down right into the world's first region throws His flight precipitant, and winds with ease Through the pure marble air his oblique way Amongst innumerable stars, that shone Stars distant, but nigh hand seem'd other worlds ; Or other worlds they seem'd, or happy isles...
Seite 7 - That, chang'd thro' all, and yet in all the same, Great in the earth, as in th' ethereal frame, Warms in the sun, refreshes in the breeze, Glows in the stars, and blossoms in the trees, Lives thro
Seite 87 - Now entertain conjecture of a time, When creeping murmur, and the poring dark, Fills the wide vessel of the universe. From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch...
Seite 123 - In thefe principles, and in the examples by which they have been fupported, we fee clearly the reafon why every enlightened age has had, and muft continue to have, its original Writers. We have no right, therefore, to complain that nature is always the fame, or that the fources of novelty have been exhaufted. It is in Poetry as in Philofophy, new relations are ftruck out, new influences difcovered, and every fuperior genius moves in a world of his own.
Seite 55 - The downy feather, on the cordage hung, Moves not; the flat sea shines like yellow gold, Fus'd in the fire ; or like the marble floor 'Of some old temple wide. But where...
Seite 68 - But immediately after this the poet adds, For works may have more wit than does 'em good. Now let us substitute the definition in the place of the thing, and it will stand thus: A work may have more of nature dressed to advantage, than will do it good.