Romantic Poets and the Culture of Posterity
Cambridge University Press, 02.12.1999 - 268 Seiten
This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.
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aesthetic afterlife argues articulation assertion audience body Byron Cambridge canon Chatterton Churchill’s Grave Clarendon Coleridge Coleridge’s concern constitutes contemporary context criticism culture of posterity D’Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure ﬁrst future Gender genius ghosts Harold Bloom haunting Hazlitt Hemans human I/Vorks imagination immortality involves Jacques Derrida john Keats Keats’s Keatsian Leo Bersani letter lines literal literary Literature living London Mary Shelley Milton mortal neglect noise one’s paradox PBSL poem poet’s poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley’s sound Southey Southey’s stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women word Wordsworth writing