The Seven Basic Plots: Why We Tell StoriesBloomsbury Publishing, 11.11.2005 - 736 Seiten This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come. |
Im Buch
Ergebnisse 1-5 von 68
Seite 2
... lives following stories: telling them; listening to them; reading them; watching them being acted out on the television screen or in films or on a stage. They are far and away one of the most important features of our everyday existence ...
... lives following stories: telling them; listening to them; reading them; watching them being acted out on the television screen or in films or on a stage. They are far and away one of the most important features of our everyday existence ...
Seite 3
... lives that we fail to see just how strange it is: our ability to 'imagine', to bring up to our conscious perception the images of things which are not actually in front of our eyes. If someone says to us'the Matterhorn'...or 'a zebra ...
... lives that we fail to see just how strange it is: our ability to 'imagine', to bring up to our conscious perception the images of things which are not actually in front of our eyes. If someone says to us'the Matterhorn'...or 'a zebra ...
Seite 17
... lives in a city in China .... then one day a Sorcerer arrives , and leads him out of the city to a mysterious underground cave . We meet a Scottish general , Macbeth , who has just won a great victory over his country's enemies ... then ...
... lives in a city in China .... then one day a Sorcerer arrives , and leads him out of the city to a mysterious underground cave . We meet a Scottish general , Macbeth , who has just won a great victory over his country's enemies ... then ...
Seite 21
... lives half across the world, at the heart of a remote forest. The hero, Gilgamesh, goes to the armourers who equip him with special weapons, a great bow and a mighty axe. He sets out on a long, hazardous journey to Humbaba's distant ...
... lives half across the world, at the heart of a remote forest. The hero, Gilgamesh, goes to the armourers who equip him with special weapons, a great bow and a mighty axe. He sets out on a long, hazardous journey to Humbaba's distant ...
Seite 22
... lives half across the world in an underground cavern on a remote island . The hero James Bond goes to the armourer who equips him with special weapons . He sets out on a long , hazardous journey to Dr No's distant lair , where he ...
... lives half across the world in an underground cavern on a remote island . The hero James Bond goes to the armourer who equips him with special weapons . He sets out on a long , hazardous journey to Dr No's distant lair , where he ...
Inhalt
1 | |
15 | |
THE COMPLETE HAPPY ENDING | 237 |
MISSING THE MARK | 345 |
WHY WE TELL STORIES | 541 |
The Light and the Shadows on the Wall | 699 |
Authors Personal Note | 703 |
Glossary of Terms | 707 |
Bibliography | 711 |
Index of Stories Cited | 715 |
General Index | 720 |
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Häufige Begriffe und Wortgruppen
Aladdin Amleth anima Anna Karenina archetypal arrives beautiful become begins central figure centre century characters Comedy comes complete consciousness Creon Dark Father dark feminine dark figure dark masculine dark power Dark Rival death developed Don Giovanni Dream Stage egocentric egotism emerge eventually everything familiar fantasy film finally girl goal Hamlet happens happy ending heart hero and heroine hero or heroine human imagination inner James Bond Jane Eyre journey killed king kingdom liberated light lives look Macbeth married Moby Dick mother murder mysterious nature Nightmare Stage novel obsession Odysseus Oedipus ordeals Overcoming the Monster pattern play plot Princess Quest Rags to Riches realise recognise represents role seems seen sense shadow storytelling symbolic symbolised Teiresias tells Theseus thing Tragedy transformation true turn type of story ultimately uncon unconscious values Voyage and Return whole wife Wise Old woman young