The Noble Savage: Allegory of FreedomStelio Cro’s revealing work, arising from his more than half dozen previous books, considers the eighteenth-century Enlightenment in the context of the European experience with, and reaction to, the cultures of America’s original inhabitants. Taking into account Spanish, Italian, French, and English sources, the author describes how the building materials for Rousseau’s allegory of the Noble Savage came from the early Spanish chroniclers of the discovery and conquest of America, the Jesuit Relations of the Paraguay Missions (a Utopia in its own right), the Essais of Montaigne, Italian Humanism, Shakespeare’s Tempest, writers of Spain’s Golden Age, Defoe’s Robinson Crusoe, and the European philosophes. |
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Then he adds that it is only right for men born free to remain free, “especially if
they are delivered by the holy baptism from the devil, and even if the reason and
punishment of sin is slavery, as Saint Augustine and Chrisostomus declare, and ...
Montaigne, who argues that this is by no means a just reason for supposing the
Europeans superior to the Americans: “I believe that it is more barbaric to eat a
man alive than to devour him after he has died, to tear to pieces and torture a
body ...
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Inhalt
1 | |
12 | |
REALITY MYTH AND ALLEGORY OF THE NOBLE SAVAGE IN THE EIGHTEENTH CENTURY | 92 |
Conclusion | 159 |
Selected Bibliography | 163 |
Index | 177 |