Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 10
... Portia is using economic terms as metaphors to describe her own love and Bassanio's estimation of it . Further- more , there is a ( somewhat ingenuous ) recognition that she is not a romantic princess but an ' unlesson'd ... unpractic'd ...
... Portia is using economic terms as metaphors to describe her own love and Bassanio's estimation of it . Further- more , there is a ( somewhat ingenuous ) recognition that she is not a romantic princess but an ' unlesson'd ... unpractic'd ...
Seite 11
... Portia moulds the situation , transmuting it into comedy . Second , it shows us Portia probing Bassanio's romantic suppositions about love and the conventional rhe- toric in which he expresses them . Portia takes his metaphor literally ...
... Portia moulds the situation , transmuting it into comedy . Second , it shows us Portia probing Bassanio's romantic suppositions about love and the conventional rhe- toric in which he expresses them . Portia takes his metaphor literally ...
Seite 18
... Portia ; her mockery and manipulation force Bassanio to see the irony of his position and eventually to laugh at himself . She mocks the romantic view much more emphatically than Lorenzo and Jessica . Their association of love , music ...
... Portia ; her mockery and manipulation force Bassanio to see the irony of his position and eventually to laugh at himself . She mocks the romantic view much more emphatically than Lorenzo and Jessica . Their association of love , music ...
Inhalt
Abschnitt 1 | 3 |
Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words