Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite 4
... Shylock's emotion to such an extent that it can only strike us as ludicrous , not pathetic . When we next see Shylock , we are ready to ridicule , especially since Solanio and Salerio are again on the stage . But Shakespeare does not ...
... Shylock's emotion to such an extent that it can only strike us as ludicrous , not pathetic . When we next see Shylock , we are ready to ridicule , especially since Solanio and Salerio are again on the stage . But Shakespeare does not ...
Seite 5
... Shylock ( just as Mil- ton was aware of the potential power of his Satan ) and he took pains to control and channel that power so that response to it would not be so overwhelming as to drown the rest of the play . Most criticism has ...
... Shylock ( just as Mil- ton was aware of the potential power of his Satan ) and he took pains to control and channel that power so that response to it would not be so overwhelming as to drown the rest of the play . Most criticism has ...
Seite 7
... Shylock and the other characters , espe- cially Bassanio . Such an approach should make clear how our attitudes towards . Shylock are controlled and , ultimately , contained by other interests . My aim is to suggest a way in which the ...
... Shylock and the other characters , espe- cially Bassanio . Such an approach should make clear how our attitudes towards . Shylock are controlled and , ultimately , contained by other interests . My aim is to suggest a way in which the ...
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Abschnitt 2 | 20 |
Abschnitt 3 | 38 |
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words