Indirections: Shakespeare and the Art of IllusionUniversity of Toronto Press, 1978 - 194 Seiten |
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Seite xiv
... comedies , ' All's Well that Ends Well and Measure for Measure , there is again ambivalence towards the comic processes which Shake- speare had developed earlier , but it takes a different shape . Unlike Hamlet or Troilus and Cressida ...
... comedies , ' All's Well that Ends Well and Measure for Measure , there is again ambivalence towards the comic processes which Shake- speare had developed earlier , but it takes a different shape . Unlike Hamlet or Troilus and Cressida ...
Seite 45
... comedies , and we can thus see a political dimension to the comic process . The comedies , that is , do make statements about society and social forms of identity as well as about individuals and personal identity . This be- comes more ...
... comedies , and we can thus see a political dimension to the comic process . The comedies , that is , do make statements about society and social forms of identity as well as about individuals and personal identity . This be- comes more ...
Seite 175
... Comedies 132 ) , and as an ' endogenous depressive ' ( W.D. Scott , Shakespeare's Melancholics [ London 1962 ] 35-46 ; cited in Berry , Shakespeare's Comedies 132n ) . D.J. Palmer's corrective commentary seems especially helpful here ...
... Comedies 132 ) , and as an ' endogenous depressive ' ( W.D. Scott , Shakespeare's Melancholics [ London 1962 ] 35-46 ; cited in Berry , Shakespeare's Comedies 132n ) . D.J. Palmer's corrective commentary seems especially helpful here ...
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accept action All's ambiguous Angelo Antony Antony and Cleopatra argues attitude audience aware Bassanio Bertram characters Claudius Cleopatra comic context court created critics death Diana discussion disguise Duke Duke's effect especially evil example fact false feeling final scene Gloucester's Guildenstern Hamlet hath Helena heroine honour human identity illusion Illyria important irony Isabella Jaques justice kind King Lear language Leontes London lovers madness magic manipulation masque meaning Measure for Measure Merchant of Venice metaphor Midsummer Night's Dream Miranda moral nature Orlando pageant Parolles pastoral perception Phebe play's plot political Polixenes Polonius Portia presents problem Problem Comedies Prospero reality relation response role role-playing romance Rosalind says seems sense sexual Shakespeare Shylock social speech structure Tempest theatre theatrical theme thou tion traditional tragic Troilus and Cressida truth Twelfth Night virginity vision whole play Winter's Tale words